1.

Record Nr.

UNINA9910783712203321

Autore

Chevigny Paul <1935, >

Titolo

Gigs : jazz and the cabaret laws in New York City / / Paul Chevigny

Pubbl/distr/stampa

London ; ; New York : , : Routledge, , 2005

ISBN

1-900486-34-2

1-134-27814-4

1-134-27815-2

1-280-10701-4

0-203-32343-2

Edizione

[2nd ed.]

Descrizione fisica

1 online resource (162 p.)

Collana

Routledge studies in law, society, and popular culture ; ; 2

Disciplina

791/.09747/1

Soggetti

Performing arts - New York (State) - New York - History - 20th century

Popular culture - New York (State) - New York - History - 20th century

Musicians - Legal status, laws, etc - Economic aspects - New York (State) - New York

Music-halls (Variety-theaters, cabarets, etc.) - Law and legislation - Economic aspects - New York (State) - New York

Jazz - New York (State) - New York - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. 187-209) and index.

Nota di contenuto

Book Cover; Title; Contents; Series Editor's Preface; Foreword; Acknowledgments; Introduction; Prelude; The Musicians Union; The Music in the Clubs; Regulation as Denigration; The Campaign to Change the Law: Lost in the Labyrinth; The Campaign to Change the Law: Free Expression; The Process of Change; The Lives of Musicians; Conclusion: Politics, Law and Music; Chart on Zoning and Licensing; Afterword; Notes on Sources; Notes; Index

Sommario/riassunto

Gigs provides a fascinating account of a unique victory for musicians against repressive entertainment licensing laws. It provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City. This second edition includes a new preface by Hamish Birchall and an introduction by the series editors, Guy Osborn and Steve Greenfield, as well as an afterword by the author, and it will



be essential reading for all those interested in the history of social attitudes toward the po