1.

Record Nr.

UNINA9910783601703321

Autore

Yen Yuehping <1969, >

Titolo

Calligraphy and power in contemporary Chinese society / / Yuehping Yen

Pubbl/distr/stampa

London ; ; New York : , : RoutledgeCurzon, , 2004

ISBN

1-134-37061-X

0-203-34884-2

1-134-37062-8

1-280-05904-4

0-203-59060-0

Edizione

[1st ed.]

Descrizione fisica

1 online resource (232 p.)

Collana

Anthropology of Asia

Disciplina

745.6/19951

Soggetti

Calligraphy, Chinese - Social aspects

Personality and culture - China

China Civilization 1976-2002

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Cover; Calligraphy and Power in Contemporary Chinese Society; Title Page; Copyright Page; Table of Contents; List of figures; Acknowledgements; Brief chronology of Chinese history; Introduction: the abode of calligraphic inscriptions; First encounter with social calligraphy; Modern technology spells the end of Chinese writing?; Writing and calligraphy - an anthropological lack; The ambiguity of Chinese calligraphy - where function meets aesthetics; Some methodological considerations; 1 Dances with power: Public calligraphy and its social effects; Public calligraphy

Art or not: a matter of social manipulationThe power brush; 2 Becoming a person through wen; Mingong: anything that city people are not; The notion of wenhua; Ascending the tower of deep knowledge; 3 Handwriting and personhood; Fascination with handwriting; Handwriting and personhood; Calligraphy or handwriting as the extension of the body-person; 4 Body-person engineering through ink and brush: Brush techniques and calligraphic composition; Anthropological literature on personhood and embodiment; Brush



techniques; The composition of calligraphy; The moral brush

5 Brush work: Alternative bodybuildingPractising calligraphy: the cultivation of a good body and a sound mind; The learning process magnified; The embodied brush and the production of subjectivity; Calligraphic paradox as the locus of social manipulation; 6 Ideograms and knowledge; Written characters as the base of knowledge?; The modern script reform in China and its implication for Bloch's thesis; Linguistic myth turned into social reality; 7 Characters reloaded; Re-inventing calligraphy: characters are still good to think with; The ever-evolving relationship with power

The re-enchantment of calligraphy - the agency of calligraphyNotes; Bibliography; List of Chinese characters for terms used in the text; Index

Sommario/riassunto

This unusual and interesting book is a fascinating account of the world of Chinese writing. It examines Chinese space and the political and social use of writing as propaganda, a publicity booster and as a ladder for social climbing.