Marine rudders and control surfaces [[electronic resource] ] : principles, data, design and applications / / Anthony F. Molland and Stephen R. Turnock

• Record Nr.: UNINA9910458564703321
• Autore: Molland Anthony F
• Pubbl/distr/stampa: Amsterdam ; ; London, : Elsevier/Butterworth-Heinemann, 2007
• ISBN: 1-281-11238-0; 9786611112387; 0-08-054924-1
• Descrizione fisica: 1 online resource (451 p.)
• Altri autori (Persone): TurnockStephen R
• Disciplina: 623.862
• Soggetti: Steering-gear; Ships - Hydrodynamics; Electronic books.
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front Cover; Marine Rudders and Control Surfaces: Principles, Data, Design and Applications; Copyright Page; Contents; Preface; Nomenclature; Abbreviations; Figure acknowledgements; Part One: Principles; Chapter 1. Introduction; Chapter 2. Control surface types; 2.1 Control surfaces and applications; 2.2 Rudder types; 2.3 Other control surfaces; Chapter 3. Physics of control surface operation; 3.1 Background; 3.2 Basic flow patterns and terminology; 3.3 Properties of lifting foils; 3.4 Induced drag; 3.5 Rudder-propeller interaction; 3.6 Propeller-induced velocity upstream of rudder; 3.7 Influence of hull on rudder-propeller performanceChapter 4. Control surface requirements; 4.1 Rudder requirements; 4.2 Rudder design within the ship design process; 4.3 Requirements of other control surfaces; 4.4 Rudder and control surface design strategy; Part Two: Design Data Sources; Chapter 5. Experimental data; 5.1 Review of experimental data and performance prediction; 5.2 Presentation of experimental data; 5.3 Experimental data for rudder in free stream; 5.4 Experimental data for rudder behind propeller; 5.5 Effective aspect ratio; 5.6 Rudder and control surface area; 5.7 Free surface effects5.8 Cavitation on control surfaces; 5.9 Propulsive effects; 5.10 Hull pressures; Chapter 6. Theoretical and numerical methods; 6.1 Available methods; 6.2 Potential flow methods; 6.3 Navier-Stokes methods; 6.4 Interpretation of numerical analysis; 6.5 Free-stream rudders; 6.6 Rudder-propeller interaction; 6.7 Unsteady behaviour; 6.8 Future developments; Part Three: Design Strategy and Methodology; Chapter 7. Detailed rudder design; 7.1 Background and philosophy of design approach; 7.2 Rudder design process; 7.3 Applications of numerical methods; 7.4 Guidelines for designChapter 8. Manoeuvring; 8.1 Rudder forces; 8.2 Hull upstream; 8.3 Influence of drift angle; 8.4 Low and zero speed and four quadrants; 8.5 Shallow water/bank effects; Chapter 9. Other control surfaces; 9.1 Fin stabilisers; 9.2 Hydroplanes; 9.3 Pitch damping fins; Chapter 10. Propulsion; 10.1 Propeller-rudder interaction; 10.2 Propeller effects; 10.3 Rudder effects; 10.4 Overall effects; Part Four: Design Applications; Chapter 11. Applications; 11.1 Background; 11.2 Large ships; 11.3 Small craft; 11.4 Low speed and manoeuvring; 11.5 Control; Appendix 1; Tabulated test dataAppendix 2; Rudder and propeller design software; Index; Color Plate Section
• Sommario/riassunto: This book guides naval architects from the first principles of the physics of control surface operation, to the use of experimental and empirical data and applied computational fluid dynamic modelling of rudders and control surfaces.The empirical and theoretical methods applied to control surface design are described in depth and their use explained through application to particular cases. The design procedures are complemented with a number of worked practical examples of rudder and control surface design.The online companion site contains an extensive modelling data library,

Authorship in film adaptation [[electronic resource] /] / edited and with an introduction by Jack Boozer

• Record Nr.: UNINA9910782874403321
• Pubbl/distr/stampa: Austin, : University of Texas Press, 2008
• ISBN: 0-292-79401-0
• Edizione: [1st ed.]
• Descrizione fisica: 1 online resource (354 p.)
• Altri autori (Persone): BoozerJack <1944->
• Disciplina: 808.2/3
• Soggetti: Film adaptations; Motion picture authorship
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Muñoz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth.
• Sommario/riassunto: Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the ; screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.