Grammars, grammarians, and grammar-writing in eighteenth-century England [[electronic resource] /] / edited by Ingrid Tieken-Boon van Ostade

• Record Nr.: UNINA9910782778203321
• Pubbl/distr/stampa: Berlin ; ; New York, : Mouton de Gruyter, c2008
• ISBN: 1-282-19471-2; 9786612194719; 3-11-019918-1
• Descrizione fisica: 1 online resource (372 p.)
• Collana: Topics in English linguistics ; ; 59
• Altri autori (Persone): Tieken-Boon van OstadeIngrid
• Disciplina: 428.2
• Soggetti: English language - Grammar - History; Grammarians - Great Britain; English language - History - 18th century; English language - History
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Front matter -- Table of contents -- Grammars, grammarians and grammar writing: An introduction -- Part 1. Background -- Background: Introduction -- The eighteenth-century grammarians as language experts -- Grammar writers in eighteenth-century Britain: A community of practice or a discourse community? -- Eighteenth-century grammars and book catalogues -- Part 2. Reception and the market for grammars -- Reception and the market for grammars: Introduction -- Bellum Grammaticale (1712) ... A battle of books and a battle for the market -- The 1760's: Grammars, grammarians and the booksellers -- Mid-century grammars and their reception in the Monthly Review and the Critical Review -- Part 3. The grammarians -- The grammarians: Introduction -- Ann Fisher's A New Grammar, or was it Daniel Fisher s work? -- Joseph Priestley's two Rudiments of English Grammar: 1761 and 1768 -- Eighteenth-century teacher-grammarians and the education of "proper" women -- "Borrowing a few passages": Lady Ellenor Fenn and her use of sources -- Part 4. The grammars -- The grammars: Introduction -- Preposition stranding in the eighteenth ; century: Something to talk about -- Foolish, foolisher, foolishest: Eighteenth-century English grammars and the comparison of adjectives and adverbs -- On normative grammarians and the double marking of degree -- Back matter
• Sommario/riassunto: The book offers insight into the publication history of eighteenth-century English grammars in unprecedented detail. It is based on a close analysis of various types of relevant information: Alston's bibliography of 1965, showing that this source needs to be revised urgently; the recently published online database Eighteenth Century Collections Online (ECCO) with respect to sources of information never previously explored or analysed (such as book catalogues and library catalogues); Carol Percy's database on the reception of eighteenth-century grammars in contemporary periodical reviews; and so-called precept corpora containing data on the treatment in a large variety of grammars (and other works) of individual grammatical constructions. By focusing on individual grammars and their history a number of long-standing questions are solved with respect to the authorship of particular grammars and related work (the Brightland/Gildon grammar and the Bellum Grammaticale; Ann Fisher's grammar) while new questions are identified, such as the significant change of approach between the publication of one grammar and its second edition of seven years later (Priestley), and the dependence of later practical grammars (for mothers and their children) on earlier publications. The contributions present a view of the grammarians as individuals with (or without) specific qualifications for undertaking what they did, with their own ideas on teaching methodology, and as writers ultimately engaged in the common aim presenting practical grammars of English to the general public. Interestingly - and importantly - this collection of articles demonstrates the potential of ECCO as a resource for further research in the field.

The Dramaturgy of the Spectator : Italian Theatre and the Public Sphere, 1600-1800 / / Tatiana Korneeva

• Record Nr.: UNINA9910793800503321
• Autore: Korneeva Tatiana
• Pubbl/distr/stampa: Toronto : , : University of Toronto Press, , [2019]; ©2019
• ISBN: 1-4875-3208-3; 1-4875-3209-1
• Descrizione fisica: 1 online resource (274 pages)
• Collana: Toronto Italian Studies
• Classificazione: cci1icc
• Disciplina: 792.0945
• Soggetti: Italian drama - To 1700 - History and criticism; Criticism, interpretation, etc.; History; Italy
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue.
• Sommario/riassunto: "The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power ; structures and social and cultural politics in Italy."--