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1. |
Record Nr. |
UNINA9910782519003321 |
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Autore |
McLaughlin Paul |
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Titolo |
Mikhail Bakunin [[electronic resource] ] : The Philosophical Basis of His Theory of Anarchy |
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Pubbl/distr/stampa |
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New York, : Algora Publishing, 2007 |
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Descrizione fisica |
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1 online resource (280 p.) |
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Disciplina |
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Soggetti |
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Bakunin, Mikhail Aleksandrovich |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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CONTENTS; INTRODUCTION; Bakunin as Philosopher?; Marxist Analysis; Liberal Analysis; Two Further Considerations; The Structure of the Essay; Notes to Introduction; PART ONE:BAKUNIN'S DIALECTIC AND THE CRITIQUE OF SPECULATION; 1.1 The Reaction in Germany: Freedom and its Opponents; 1.2 The Reaction in Context; 1.3 Democracy and Revolution; 1.4 Revolution and Metaphysics; 1.5 Consistent and 'Mediating' Reaction; 1.6 Objections; 1.7 Historical Logics: Bakunin and Kuhn; 1.8 Popular Revolution; 1.9 The Negative Dialectic; 1.10 Toward Revolutionary Action |
1.11 Preface to Hegel's Gymnasial Lectures: Toward Naturalism1.12 Negation: Bakunin and Bauer; 1.13 Bakunin and Proudhon: Toward Anarchism; Notes to Part One; PART TWO:BAKUNIN'S NATURALISM AND THE CRITIQUE OF THEOLOGISM; 2.1 The Totality of Nature; 2.2 'Dialectics' and 'Materialism'; 2.3 Natural Order and the 'Divine Legislator'; 2.4 The Totality of Science; 2.5 The Logic of Materialism; 2.6 The Genesis of Religion; 2.7 Reason, Freedom, and History; 2.8 Fetishism, Polytheism, and Monotheism; 2.9 The Development of Christianity; 2.10 Christianity, Reason, and Freedom |
2.11 Forms of Christian Faith2.12 Bakunin and Kant; 2.13 Bakunin and Hegel; 2.14 Bakunin and Feuerbach: On Religion; 2.15 Interlude: Bakunin and Marx; 2.16 Bakunin and Feuerbach: On Philosophy; 2.17 Interlude: Bakunin and Marx Revisited; 2.18 Bakunin and Feuerbach: On Naturalism; 2.19 Bakunin and Comte; Notes to Part Two; CONCLUSION; |
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Notes to Conclusion; Select Bibliography; Index of Names |
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Sommario/riassunto |
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Bakunin as Philosopher? The first English-language philosophical study of Mikhail Bakunin, this book examines the philosophical foundations of Bakunin's social thought. It is concerned not so much with the explication of his anarchist position, as such, a |
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2. |
Record Nr. |
UNINA9910817440103321 |
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Titolo |
Literary and artistic patronage in ancient Rome / / editor, Barbara K. Gold |
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Pubbl/distr/stampa |
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Austin, Texas : , : University of Texas Press, , 1982 |
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©1982 |
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ISBN |
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Descrizione fisica |
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1 online resource (208 pages) |
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Disciplina |
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Soggetti |
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Art patronage - Rome |
Arts, Roman |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- HISTORICAL APPROACH -- Phases in Political Patronage of Literature in Rome -- Pete nobiles amicos: Poets and Patrons in Late Republican Rome -- Positions for Poets in Early Imperial Rome -- Literature and Society in the Later Roman Empire -- LITERARY AND ARTISTIC APPROACH -- The Poetics of Patronage in the Late First Century B.C -- Propertius 3.9: Maecenas as Eques, Dux, Fautor -- The Creation of Characters in the Aeneid -- Patrons, Painters, and Patterns: The Anonymity of Romano-Campanian Painting and the Transition from the Second to the Third Style -- Notes on Contributors -- Abbreviations -- Bibliography |
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Sommario/riassunto |
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Virgil, Horace, Catullus, Propertius--these are just a few of the poets whose work we would be without today were it not for the wealthy and powerful patrons upon whose support the Roman cultural |
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establishment so greatly depended. Who were these patrons? What benefits did they give, to whom, and why? What effect did the support of such men as Maecenas and Pompey have on the lives and work of those who looked to them for aid? These questions and others are addressed in this volume, which explores all the important aspects of patronage--a topic crucial to the study of literature and art from Homer to the present day. The subject is approached from various vantage points: literary, artistic, historical. The essayists reach conclusions that dispel the many misconceptions about Roman patronage derived from seventeenth- and eighteenth-century models in England and Europe. An understanding of the workings of patronage is indispensable in helping us see how the Roman cultural establishment functioned in the four centuries of its flourishing and also in helping us read and enjoy specific poems and works of art. A book for all concerned with classical literature, art, and social history, Literary and Artistic Patronage in Ancient Rome not only deepens our understanding of the ancient world but also suggests important avenues for future exploration. |
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