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Record Nr. |
UNINA9910782237403321 |
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Autore |
Fuchs A |
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Titolo |
Phantoms of War in Contemporary German Literature, Films and Discourse [[electronic resource] ] : The Politics of Memory / / by A. Fuchs |
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Pubbl/distr/stampa |
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London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2008 |
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ISBN |
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0-230-29163-5 |
1-281-91483-5 |
9786611914837 |
0-230-58972-3 |
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Edizione |
[1st ed. 2008.] |
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Descrizione fisica |
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1 online resource (537 p.) |
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Collana |
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New Perspectives in German Political Studies |
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Disciplina |
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Soggetti |
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European Union |
Motion pictures—History |
Europe—Politics and government |
Literature—Philosophy |
Culture—Study and teaching |
Europe, Central—History |
European Union Politics |
Film History |
European Politics |
Literary Theory |
Cultural Theory |
History of Germany and Central Europe |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; Acknowledgements; Foreword to the Paperback Edition; 1 Introduction: Family Narratives Between Vernacular and Official Memory; 2 Generational Conflict and Masculinity in Väterliteratur by Christoph Meckel, Uwe Timm, Dagmar Leupold and Ulla Hahn; 3 Family Narratives and Postmemory: Günter Grass's Im |
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Krebsgang, Tanja Dückers's Himmelskörper and Marcel Beyer's Spione; 4 Heimat and Territory in Thomas Medicus's In den Augen meines Großvaters and Stephan Wackwitz's Ein unsichtbares Land; 5 Narrating Resistance to the Third Reich: Museum Discourse, Autobiography, Fiction and Film |
6 Hitler Youth Autobiographies: Günter Grass's Beim Häuten der Zwiebel and Joachim Fest's Ich nicht7 Epilogue: Germany as a Threshold Culture; Notes; Works Cited; Index |
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Sommario/riassunto |
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Phantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse. Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse. |
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