1.

Record Nr.

UNINA9910781983103321

Titolo

Images in use [[electronic resource] ] : towards the critical analysis of visual communication / / edited by Matteo Stocchetti, Karin Kukkonen

Pubbl/distr/stampa

Amsterdam ; ; Philadelphia, : John Benjamins Pub. Co., 2011

ISBN

1-283-31474-6

9786613314741

90-272-8416-4

Descrizione fisica

1 online resource (304 p.)

Collana

Discourse approaches to politics, society, and culture (DAPSAC) ; ; v. 44

Classificazione

AP 15040

AP 15800

Altri autori (Persone)

StocchettiMatteo

KukkonenKarin <1980->

Disciplina

302.2/22

Soggetti

Visual communication

Signs and symbols

Visual sociology

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Images in Use; Editorial page; Title page; LCC data; Table of contents; Introduction; Part I. Approaches to visual communication and the question of power; 1. Images; 2. The critical tradition in visual studies; 3. The map, the mirror and the simulacrum; 4. Disenchantment with politics and the salience of images; Part II. Case studies; 5. Organising political consensus; 6. Walls, doors and exciting encounters; 7. The politics of visual representation; 8. The politics of identity and visuality; 9. Visual politics and celebrity humanitarianism; 10. The economics of gay reality television

11. Mending endings 12. Representing the state of exception; Index

Sommario/riassunto

News coverage of EU negotiations, children's war memories or TV series glamourising political processes - images pervade both private and public discourse, and visual communication plays a key role in our social negotiation of values. Conceptualising images as "images in use", this volume considers the agencies behind visual communication and its impact on society.  Images in Use engages critically with traditional approaches to visual analysis, offers suggestions for alternative,



socially situated analyses of images and demonstrates the explanatory force of thinking through "imag