1.

Record Nr.

UNINA9910781975603321

Autore

James Paula

Titolo

Ovid's myth of Pygmalion on screen : in pursuit of the perfect woman / Paula Jones

Pubbl/distr/stampa

London ; New York, NY, : Continuum International Publishing Group, [2011]

ISBN

1-4725-5570-8

1-283-30776-6

9786613307767

1-4411-6850-8

Descrizione fisica

1 online resource (249 p.)

Collana

Continuum studies in classical reception

Classificazione

6,12

Disciplina

871.01

Soggetti

Women in motion pictures

Women on television

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (pages 207-214) and index

Filmography: pages 215-217

Nota di contenuto

Ovid' rich text: layers of identity in the Pygmalion myth -- Tragic transformatons: making and breaking the statue on screen -- Romancing the stone: the made-over woman as comedy -- She was Venus all aong: the statue as screen goddess -- Pygmalion's robots: the horror and the humour -- Bathos and Pathos: a simulacrum among simulacra -- Virtually perfect: hi and lo tech gals of the computer age -- More myth making at the movies -- Appendix: Ovid's Pygmalion

Acknowledgments -- Introduction -- 1. Ovid's Rich Text - Layers of identity in the Pygmalion myth -- 2. Tragic Transformations: Making and breaking the statue on screen -- 3. Romancing the Stone: The made-over woman as comedy -- 4. She was Venus all along: The statue as screen goddess -- 5. Pygmalion's robots - The horror and the humour -- 6. Bathos and Pathos - A simulacrum among simulacra -- 7. Virtually Perfect: Hi and lo tech gals of the computer age -- 8. More Myth Making at the Movies -- Appendix: Ovid's Pygmalion -- Bibliography -- Filmography -- Index

Sommario/riassunto

Why has the myth of Pygmalion and his ivory statue proved so



inspirational for writers, artists, philosophers, scientists, and directors and creators of films and television series? The 'authorised' version of the story appears in the epic poem of transformations, Metamorphoses, by the first-century CE Latin poet Ovid; in which the bard Orpheus narrates the legend of the sculptor king of Cyprus whose beautiful carved woman was brought to life by the goddess Venus. Focusing on screen storylines with a Pygmalion subtext, from silent cinema to Buffy the Vampire Slayer and Lars and the Real Girl, this book looks at why and how the made-over or manufactured woman has survived through the centuries and what we can learn about this problematic model of 'perfection' from the perspective of the past and the present. Given the myriad representations of Ovid's myth, can we really make a modern text a tool of interpretation for an ancient poem? This book answers with a resounding 'yes' and explains why it is so important to give antiquity back its future