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1. |
Record Nr. |
UNINA9910418047303321 |
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Autore |
Vigneron Sylvain |
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Titolo |
La pierre et la terre : Le marché foncier et immobilier dans les dynamiques sociales du Nord de la France aux XVIIe et XVIIIe siècles / / Sylvain Vigneron |
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Pubbl/distr/stampa |
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Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (416 p.) |
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Altri autori (Persone) |
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Soggetti |
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Real estate business - France, Northern - History |
Rural-urban relations - France, Northern - History |
France, Northern Social conditions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Dans les sociétés d’Ancien Régime, la pierre et la terre furent longtemps la principale source de richesses et un élément constitutif des patrimoines. Dès lors, les propriétés immobilières et foncières deviennent un puissant vecteur de rencontres et d’échanges entre les différentes catégories sociales, citadines et rurales. Dans les villes où la majorité de la population vit en location, la maison n’a pas attiré de grands rassembleurs de pierre. Sur le marché immobilier, les bourgeois et les artisans sont les plus actifs, mais toutes les catégories sociales sont en concurrence pour des habitations de valeur médiocre ou faible. En considérant la ville dans son environnement rural, l’influence citadine est claire. Autour de Lille ou de Cambrai, les propriétés citadines modèlent le visage des campagnes. Pourtant, les citadins, principalement issus de la bourgeoisie, s’engagent timidement dans le jeu foncier. Encore la participation citadine est-elle scandée par des convulsions chronologiques qui achèvent de relativiser l’idée de la « conquête bourgeoise du sol ». Sur le marché foncier, les gens de campagne réalisent donc l’essentiel de l’activité. Opérant entre eux, les ruraux multiplient les interventions de petite valeur sur un espace relationnel étroit. Pourtant, tous ne sont pas en action : l’instabilité des |
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patrimoines des journaliers renforce surtout la position des laboureurs et des fermiers. À travers l’analyse des marchés fonciers et immobiliers, cet ouvrage s’attache donc à comprendre les stratégies et les dynamiques des différentes catégories sociales de la Ville et de la Campagne. |
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2. |
Record Nr. |
UNINA9910781839503321 |
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Autore |
Johnson Victoria E |
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Titolo |
Heartland TV [[electronic resource] ] : prime time television and the struggle for U.S. identity / / Victoria E. Johnson |
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Pubbl/distr/stampa |
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New York, : New York University Press, c2008 |
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ISBN |
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0-8147-4362-5 |
0-8147-4302-1 |
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Descrizione fisica |
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1 online resource (x, 262 p. ) : ill. ; |
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Disciplina |
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Soggetti |
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Television broadcasting of news - United States |
Middle West On television |
Middle West Press coverage United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction: TV, the heartland myth, and the value of cultural populism -- "Essential, desirable, and possible markets": broadcasting midwestern tastes and values -- Square dancing and champagne music: regional aesthetics and Middle America -- "Strictly conventional and moral": CBS Reports in Webster Groves -- "You're gonna make it after all!": the urbane Midwest in MTM Productions' "quality" comedies -- "There is no 'Dayton chic'": queering the Midwest in Roseanne, Ellen, and The Ellen Show -- Fertility among the ruins: reconstituting the traumatized heartland -- Epilogue: Red state, blue state, purple heartland. |
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Sommario/riassunto |
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Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book AwardThe Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass |
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market dispositions. Whether cast positively -; as authentic, pastoral, populist, hardworking, and all-American-or negatively-as backward, narrow–minded, unsophisticated, conservative, and out-of-touch-the myth of the Heartland endures.Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience.Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals. |
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