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1. |
Record Nr. |
UNINA9910781482603321 |
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Titolo |
The Madisonian turn : political parties and parliamentary democracy in Nordic Europe / / edited by Torbörn Bergman and Kaare Strom |
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Pubbl/distr/stampa |
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Ann Arbor : , : University of Michigan Press, , c2011 |
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ISBN |
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1-283-15981-3 |
9786613159816 |
0-472-02550-3 |
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Descrizione fisica |
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1 online resource (428 p.) |
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Collana |
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Altri autori (Persone) |
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BergmanTorbjörn |
StrømKaare |
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Disciplina |
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Soggetti |
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Cabinet system - Scandinavia |
Political parties - Scandinavia |
Legislative bodies - Scandinavia |
Comparative government |
Scandinavia Politics and government 1945- |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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Parliamentary democracies under siege / Kaare Strom and Torbjörn Bergman -- Nordic Europe in comparative perspective / Torbjörn Bergman and Kaare Strom -- Change and challenges of Danish parliamentary democracy / Erik Damgaard -- Finland : moving in the opposite direction / Tapio Raunio -- Iceland : dramatic shifts / Svanur Kristjánsson and Indridi H. Indridason -- Norway : from Honsvaldian parliamentarism back to Madisonian roots / Hanne Marthe Narud and Kaare Strom -- Swedish democracy : crumbling parties, a feeble Riksdag, and technocratic power holders / Torbjörn Bergman and Niklas Bolin -- Parties and party systems in the north / Nicholas Aylott -- East-West conflict and Europeanization : international effects on democratic politics in the Nordic states / Cynthia Kite -- The Nordics : demanding citizens, complex politics / Torbjörn Bergman and Kaare Strom. |
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2. |
Record Nr. |
UNINA9910790228403321 |
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Titolo |
The Routledge companion to museum ethics : redefining ethics for the twenty-first century museum / / editor, Janet Marstine |
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Pubbl/distr/stampa |
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Milton Park, Abingdon, Oxon : , : Routledge, , 2011 |
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ISBN |
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1-136-71526-6 |
1-280-68258-2 |
9786613659521 |
1-136-71527-4 |
0-203-81546-7 |
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Descrizione fisica |
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1 online resource (xxv, 477 pages) : illustrations |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Museums - Management - Moral and ethical aspects |
Museums - Social aspects |
Social change |
Responsibility |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Simultaneously published in the USA and Canada"--T.p. verso. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Cover; The Routledge Copanion to Museum Ethics; Copyright Page; Contents; List of Illustrations; List of Tables; Notes on Contributors; Acknowledgments; Preface; Part I: Theorizing Museum Ethics; 1. The contingent nature of the new museum ethics: Janet Marstine; 2. The art of ethics: Theories and applications to museum practice: Judith Chelius Stark; 3. GoodWork in museums today ... and tomorrow: Celka Straughn and Howard Gardner; 4. Museums and the end of materialism: Robert R. Janes |
5. Changing the rules of the road: Post-colonialism and the new ethics of museum anthropology: Christina Kreps 6. "Aroha mai: Whose museum?": The rise of indigenous ethics within museum contexts: A Maori-tribal perspective: Paul Tapsell; 7. The responsibility of representation: A feminist perspective: Hilde Hein; Part II: Ethics, Activism and Social Responsibility; 8. On ethics, activism and human rights: Richard Sandell; 9. Collaboration, contestation, and creative conflict: On the efficacy of museum/community partnerships: |
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Bernadette T. Lynch |
10. An experimental approach to strengthen the role of science centers in the governance of science: Andrea Bandelli and Elly Konijn 11. Peering into the bedroom: Restorative justice at the Jane Addams Hull House Museum: Lisa Yun Lee; 12. Being responsive to be responsible: Museums and audience development: Claudia B. Ocello; 13. Ethics and challenges of museum marketing: Yung-Neng Lin; 14. Memorial museums and the objectification of suffering: Paul Williams; Part III: The Radical Potential of Museum Transparency; 15. Cultural equity in the sustainable museum: Tristram Besterman |
16. 'Dance through the minefield': The development of practical ethics for repatriation: Michael Pickering 17. Visible listening: Discussion, debate and governance in the museum: James M. Bradburne; 18. Ethical, entrepreneurial or inappropriate? Business practices in museums: James B. Gardner; 19. "Why is this here?": Art museum texts as ethical guides: Pamela Z. McClusky; 20. Transfer protocols: Museum codes and ethics in the new digital environment: Ross Parry; 21. Sharing conservation ethics, practice and decision-making with museum visitors: Mary M. Brooks |
Part IV: Visual Culture and the Performance of Museum Ethics 22. The body in the (white) box: Corporeal ethics and museum representation: Mara Gladstone and Janet Catherine Berlo; 23. Towards an ethics of museum architecture: Suzanne MacLeod; 24. Museum censorship: Christopher B. Steiner; 25. Ethics of confrontational drama in museums: Bjarne Sode Funch; 26. Conservation practice as enacted ethics: Dinah Eastop; 27. Bioart and nanoart in a museum context: Terms of engagement: Ellen K. Levy; Index |
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Sommario/riassunto |
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Routledge Companion to Museum Ethics is a theoretically informed reconceptualization of museum ethics discourse as a dynamic social practice central to the project of creating change in the museum. Through twenty-seven chapters by an international and interdisciplinary group of academics and practitioners it explores contemporary museum ethics as an opportunity for growth, rather than a burden of compliance. The volume represents diverse strands in museum activity from exhibitions to marketing, as ethics is embedded in all areas of the museum sector. |
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3. |
Record Nr. |
UNINA9911008478703321 |
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Autore |
Schuijer Michiel |
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Titolo |
Analyzing atonal music : pitch-class set theory and its contexts / / Michiel Schuijer |
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Pubbl/distr/stampa |
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Rochester, NY, : University of Rochester Press, 2008 |
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ISBN |
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1-282-89494-3 |
9786612894947 |
1-58046-711-3 |
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Descrizione fisica |
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1 online resource (xviii, 306 pages) : digital, PDF file(s) |
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Collana |
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Eastman studies in music, , 1071-9989 |
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Disciplina |
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Soggetti |
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Musical analysis - Data processing |
Atonality |
Computer composition |
Musical pitch |
Set theory |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 28 Feb 2023). |
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Nota di bibliografia |
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Includes bibliographical references (p. [279]-292) and index. |
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Nota di contenuto |
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Pitch-class set theory : an overture -- Objects and entities -- Operations -- Equivalence -- Similarity -- Inclusion -- "Blurring the boundaries" : analysis, performance, and history -- Mise-en-scene. |
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Sommario/riassunto |
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For the past forty years, pitch-class set theory has served as a frame of reference for the study of atonal music, through the efforts of Allen Forte, Milton Babbitt, and others. It has also been the subject of sometimes furious debates between music theorists and historically oriented musicologists, debates that only helped heighten its profile. Today, as oppositions have become less clear-cut, and other analytical approaches to music are gaining prominence, the time has come for a history of pitch-class set theory, its dissemination, and its role in the reception of the music of Schoenberg, Stravinsky, and other modernist composers."Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts" combines thorough discussions of musical concepts with an engaging historical narrative. Pitch-class theory is treated here as part of the musical and cultural landscape of the United States. The theory's remarkable rise to authority is related to the impact of the computer on |
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the study of music in the 1960s, and to the American university in its double role as protector of high culture and provider of mass education. |
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