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1. |
Record Nr. |
UNINA9910217047203321 |
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Autore |
Appleton Jon |
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Titolo |
Musiques électroniques : Revue Contrechamps n° 11 / / Philippe Albèra |
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Pubbl/distr/stampa |
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Genève, : Éditions Contrechamps, 2016 |
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ISBN |
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Descrizione fisica |
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1 online resource (164 p.) |
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Altri autori (Persone) |
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BennettGerald |
BoehmerKonrad |
BoeschRainer |
DahlhausCarl |
DaviesHugh |
DemierreJacques |
EbbekeKlaus |
HarenbergMichael |
ManouryPhilippe |
MatsudaïraYori-Aki |
OrtizPablo |
RissetJean-Claude |
ShonoSusumu |
AlbèraPhilippe |
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Soggetti |
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Music |
musique électronique |
esthétique |
son |
technologie |
musique électro-acoustique |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Les moyens électroniques ont profondément modifié la pratique et la pensée musicale de la seconde moitié du xxe siècle. Ils apparaissent à |
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la fois comme un renouvellement du matériau et comme une remise en question des techniques d'écriture traditionnelles. Autant les musiques pop et rock se sont rapidement adaptées au marché, utilisant le matériel standardisé fourni par l'industrie de l'électronique, autant les musiques « savantes », liées aux instituts de recherche, n'ont cessé de développer, depuis l'époque héroïque de la musique concrète et de l'elektronische Musik, des outils nouveaux qui impliquent des critères compositionnels adéquats. Dans ce numéro, musicologues et compositeurs abordent les musiques électroniques sous différents angles : réflexion historique, classification de la nouvelle lutherie, rapports entre pensée compositionnelle et matériau nouveau, perception et notation, implication socio-musicale de la technologie nouvelle, rôle de l'électronique dans la musique pop, analyse socio-esthétique, problèmes esthétiques historiques. |
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2. |
Record Nr. |
UNINA9910781199103321 |
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Titolo |
Interfaces of performance / / edited by Maria Chatzichristodoulou, Janis Jefferies, Rachel Zerihan |
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Pubbl/distr/stampa |
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Farnham, England ; ; Burlington : , : Ashgate, , 2009 |
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©2009 |
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ISBN |
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1-315-58924-9 |
1-317-11461-2 |
1-317-11460-4 |
1-282-34442-0 |
9786612344428 |
0-7546-9843-2 |
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Descrizione fisica |
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1 online resource (233 pages) |
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Collana |
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Digital Research in the Arts and Humanities |
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Disciplina |
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Soggetti |
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Technology and the arts |
Performing arts - Technological innovations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Contents; List of Figures; Notes on Contributors; Series Preface; Introduction; 1 Creative Media: Performance, Invention, Critique; Part 1 Environments; 2 Environments, Interactions and Beings: The Ecology of Performativity and Technics; 3 Blurring the Boundaries: Performance, Technology and the Artificial Sublime - An Interview with Ruth Gibson and Bruno Martelli, igloo; Part 2 Bodies; 4 ORLAN-Vertigo/Self-Touching-You; 5 The Path to Silence; Part 3 Audiences; 6 Reactivation: Performance, Mediatization and the Present Moment |
7 Moving Audiences: Strategies of Exposure in the Work of Gob Squad; 8 How to Kidnap your Audiences: An Interview with Matt Adams from Blast Theory; Part 4 Politics; 9 The Tendency to 'Trans-': The Political Aesthetics of the Biogrammatic Zone; 10 Guillermo Gómez-Peña: Ethno-Techno Politics; 11 Performative Science in an Age of Specialization: The Case of Critical Art Ensemble; Part 5 Affect; 12 Affective Connection; 13 Love at First Byte; Conclusion; Bibliography; Index |
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Sommario/riassunto |
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This collection of essays and interviews investigates current practices that expand our understanding and experience of performance through the use of state-of-the-art technologies. It brings together leading practitioners, writers and curators who explore the intersections between theatre, performance and digital technologies, challenging expectations and furthering discourse across the disciplines. |
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