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1. |
Record Nr. |
UNINA9910463231703321 |
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Autore |
Darwish Mahmoud |
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Titolo |
Unfortunately, It Was Paradise : Selected Poems / / Mahmoud Darwish; Sinan Antoon, Amira El-Zein |
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Pubbl/distr/stampa |
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Berkeley, CA : , : University of California Press, , [2013] |
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©2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (220 p.) |
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Disciplina |
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Soggetti |
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Poetry, Modern -- 20th century |
Poets, Palestinian Arab |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Front matter -- Contents -- Acknowledgments -- Introduction -- Foreword -- From Fewer Roses (1986) -- From I See What I Want to See (1993) -- From Why Have You Left the Horse Alone? (1995) -- From A Bed for the Stranger (1999) -- Mural (2000) -- Three Poems (before 1986) -- Glossary |
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Sommario/riassunto |
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Mahmoud Darwish is a literary rarity: at once critically acclaimed as one of the most important poets in the Arabic language, and beloved as the voice of his people. A legend in Palestine, his lyrics are sung by fieldworkers and schoolchildren. He has assimilated some of the world's oldest literary traditions while simultaneously struggling to open new possibilities for poetry. This collection spans Darwish's entire career, nearly four decades, revealing an impressive range of expression and form. A splendid team of translators has collaborated with the poet on these new translations, which capture Darwish's distinctive voice and spirit. Fady Joudah's foreword, new to this edition, addresses Darwish's enduring legacy following his death in 2008. |
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2. |
Record Nr. |
UNISA996390595703316 |
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Autore |
Jenkins David <1582-1663.> |
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Titolo |
Judge Jenkins remonstrance to the Lords and Commons of the two Houses of Parliament at Westminster, the 21. of February, 1647 [[electronic resource] /] / By David Jenkins prisoner in Newgate |
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Pubbl/distr/stampa |
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London, : [s.n.], Re-printed in the year, 1660 |
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Descrizione fisica |
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Soggetti |
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Treason - England |
Monarchy - England |
Law - England |
Great Britain Politics and government 1649-1660 Early works to 1800 |
Great Britain History Constitution Early works to 1800 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Annotation on Thomason copy: "May 8". |
Reproduction of the original in the British Library. |
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Sommario/riassunto |
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3. |
Record Nr. |
UNINA9910780973803321 |
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Autore |
Harkins Gillian |
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Titolo |
Everybody's family romance [[electronic resource] ] : reading incest in neoliberal America / / Gillian Harkins |
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Pubbl/distr/stampa |
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Minneapolis, : University of Minnesota Press, 2009 |
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ISBN |
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Descrizione fisica |
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1 online resource (338 p.) |
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Disciplina |
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Soggetti |
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American literature - 20th century - History and criticism |
Incest in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Preface: Nobody's home -- Introduction: Everybody's family romance -- Laying down the law: the modernization of American incest -- Legal fantasies: populist trauma and the theater of memory -- Seduction by literature: sexual property and testimonial possession -- Surviving the family romance? Realism and the labor of incest -- Consensual relations: the scattered generations of kinship -- Conclusion: beyond the incest taboo |
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Sommario/riassunto |
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In the 1990's, a boom in autobiographical novels and memoirs about incest emerged, making incest one of the hottest topics to connect daytime TV talk shows, the self-help industry, and the literary publishing circuit. In Everybody's Family Romance, Gillian Harkins places this proliferation of incest literature at the center of transformations in the political and economic climate of the late twentieth century. Harkins's interdisciplinary approach reveals how women's narratives about incest were co-opted by-and yet retained resistant strains against-the cultural logics of the neoliberal state. A |
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