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1. |
Record Nr. |
UNINA9910452610603321 |
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Autore |
Leimberg Inge |
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Titolo |
"What may words say ...?" [[electronic resource]] : a reading of The merchant of Venice / / Inge Leimberg |
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Pubbl/distr/stampa |
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Madison, N.J., : Fairleigh Dickinson University Press |
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Lanham, Md., : Co-published with Rowman & Littlefield Pub. Group, c2011 |
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ISBN |
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Descrizione fisica |
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1 online resource (294 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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""WHAT MAY WORDS SAY...?""; Contents; Preface; Beginning to read; 1. ""What do you call the play?""; 2. ""Good sentences . . .""; Act 1: The Merchant and the Maxims; Scene 1. ""otherwise friendship would bee a meere merchandise . . .""; 1-7 Know thyself; 8-68 ""I know Antonio / Is sad . . .""; 69-112 ""A stage, where every man must play a part . . .""; 113-160 ""Then do but say to me what I should do . . .""; 161-185 ""To have it of my trust . . .""; Scene 2. ""choose you this day whom you will serve""; 1-9 Nothing too much; 10-97 A conversational chain of themes; ""to be seated in the mean"" |
""what were good to do""""O me the word 'choose'!""; 32-98 Interlude: ""these princely suitors""; 99-128 ""the will of a living daughter curb'd by the will of a dead father""; ""How to choose right . . .""; ""my father's will""; Scene 3. ""Be not thou one . . . of those who are sureties for debts""; ""Enter Bassanio with Shylock the Jew"" Harme is at hande; 1 ""three thousand ducats""; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 ""Antonio shall become bound, well""; 11-34 ""he is sufficient""; 35-47 ""possessed with murd'rous hate"" |
47-65 ""I do never use it""66-97 ""I make it breed as fast""; 59 ""the breach of custom is breach of all""; 98-138 The Golden Rule; 138-175 ""How feel you yourself my friend? . . .""; 176-177 ""And forgive us our debts . . .""; Act 2: Departure; Scene 1. ""what braggardism is this?""; |
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Scene 2. ""Give him a livery""; 1-30 ""An enemy may chance to give good counsel""; 31-35 ""this is my true-begotten father""; 36-95 ""it is a wise father that knows his own child""; 95-148 ""I have brought him a present""; 149-160 ""Such beginning, such end""; 161-197 Epilogue: ""Something too liberal"" |
Scene 3. ""Farewell good Launcelot""Scene 3. (continued). ""We paint the devil foul . . .""; Scene 4. ""Will you prepare you for this masque to-night?""; Scene 5. ""Lock up my doors . . .""; Scene 6. ""No masque tonight . . .""; 1-21 ""Haste makes waste""; 22-25 ""Here dwells my father Jew""; 26-32 ""Who are you?""; 33-50 ""catch this casket""; 51-59 ""wise, fair, and true""; 60-68 ""the wind is come about""; Scene 7. ""I stand for sacrifice""; Scene 8. ""by some nuntius to recount the things""; Scene 9. ""Hanging and wiving goes by destiny"" |
1-84 ""I will use them according to their desert""85-101 ""he bringeth sensible regreets""; Act 3: The Choice; Scene 1. ""if you wrong us shall we not revenge?""; 1-66 ""The villainy you teach me I will execute""; 67-120 ""thou torturest me Tubal""; Scene 2. ""If you do love me, you will find me out""; 1-24 ""I pray you tarry""; 24-38 ""Promise me life . . .""; 39-41 ""Suit the action to the word""; 42-53 ""Let music sound . . .""; 53-62 ""while he doth make his choice""; 63-72 ""Tell me where is fancy bred?""; 73 ""So may the outward shows be least themselves"" |
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Sommario/riassunto |
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'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts. |
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2. |
Record Nr. |
UNINA9910791406203321 |
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Autore |
Ngolle-Metuge |
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Titolo |
Anxiety in mosaic [[electronic resource] /] / Ngolle-Metuge |
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Pubbl/distr/stampa |
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Bamenda [Cameroon], : Langaa Research & Pub., 2010 |
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ISBN |
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1-282-90170-2 |
9786612901706 |
9956-578-07-X |
9956-578-76-2 |
9956-578-63-0 |
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Descrizione fisica |
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1 online resource (84 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Nota di contenuto |
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Cover; Title Page; Copyright Page; DEDICATION; Table of Content; INTRODUCTION; PSYCHO-INSOMNIAC; ECO-DEVILRY; BURNED TO SADNESS; SINCE GREEN BECAME MY FAVOURITE COLOUR; LITTLE YEVGENY; ECO-DEVILRY; TO SHED A GREEN TEAR; I WEEP; HIGH HEAVEN; HORRID PROPENSITY; MIRROR IMAGE; HERE SPRAWLS THE GREAT SAHARA; BURNING DUMB WITNESS; BEASTS; THE LOST'S PRAYER; OF WIDOWS AND MAIDENS; THE PIANIST OF LIBREVILLE; HYMENS; OF WIDOWS AND MAIDENS; THE SECRET OF POOR LITTLE SYLVIA; FENCE*; OF BLOOD...; MOTHER OF MEN; THIS NAME; POBRE MADRE*; LOVE POEM; TRUEST MOTHER; ALIEN CULPABILITY; SUCCOUR; MORATORIUM |
FIGHT AGAINST POVERTYEVEN OUT; CROCODILE FRIEND; GAMET; THE COMING OF SCARLET DAYS; MIGRANT, LEARNER OR QUISLING...?; AT FEAR'S END; EL DORADO; THE HAND; BUSHFALLER; UNDER THE PRAWN'S CARAPACE; Back Cover |
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Sommario/riassunto |
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Anxiety In Mosaic is a sum up of a manís fears and hopes into a volume of poetry; anxieties that span a cross section of the human phenomena of greed (in ramifications) and the resultant socio-political, economic and environmental consequences; the repercussions of worsted governance, feminist, ecological, emigrational and imperialist concerns, |
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presented from the perspective of a philosophical questioning. The charm of these thoroughly vocal, finely-crafted poems not only lie in the quasi-compendious multiplicity of subject matter but also in their creative and innovative re-chartings. |
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3. |
Record Nr. |
UNINA9910780831603321 |
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Autore |
Panlilio Yay <1913-1978.> |
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Titolo |
The crucible [[electronic resource] ] : an autobiography by Colonel Yay, Filipina American guerrilla / / Yay Panlilio ; edited by Denise Cruz |
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Pubbl/distr/stampa |
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New Brunswick, N.J., : Rutgers University Press, c2010 |
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ISBN |
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1-280-49340-2 |
9786613588630 |
0-8135-4820-9 |
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Descrizione fisica |
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1 online resource (353 p.) |
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Disciplina |
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Soggetti |
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World War, 1939-1945 - Underground movements - Philippines |
Women guerrillas - Philippines |
Women journalists - Philippines |
World War, 1939-1945 |
World War, 1939-1945 - Participation, Female |
Filipino Americans |
Irish Americans |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published: New York : Macmillan, 1950, under title The crucible : an autobiography by "Colonel Yay." |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- Contents -- Acknowledgments -- Introduction -- A note on the text -- The Crucible -- Foreword -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Chapter 15 -- Chapter 16 -- Chapter 17 -- Chapter 18 -- Chapter 19 -- Chapter 20 -- Chapter 21 -- Chapter 22 -- Chapter 23 -- Chapter 24 -- Chapter 25 -- Chapter 26 -- Chapter 27 -- Chapter 28 -- Chapter 29 -- Chapter 30 -- Chapter 31 |
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-- Chapter 32 -- Chapter 33 -- Chapter 34 -- Chapter 35 -- Timeline of Events in the Philippines During World War II -- Glossary -- About the Editor |
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Sommario/riassunto |
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On December 8, 1941, as the Pacific War reached the Philippines, Yay Panlilio, a Filipina-Irish American, faced a question with no easy answer: How could she contribute to the war? In this 1950 memoir, The Crucible: An Autobiography by Colonel Yay, Filipina American Guerrilla, Panlilio narrates her experience as a journalist, triple agent, leader in the Philippine resistance against the Japanese, and lover of the guerrilla general Marcos V. Augustin. From the war-torn streets of Japanese-occupied Manila, to battlegrounds in the countryside, and the rural farmlands of central California, Panlilio blends wry commentary, rigorous journalistic detail, and popular romance. Weaving together appearances by Douglas MacArthur and Carlos Romulo with dangerous espionage networks, this work provides an insightful perspective on the war. The Crucible invites readers to see new intersections in Filipina/o, Asian American, and American literature studies, and Denise Cruz's introduction imparts key biographical, historical, and cultural contexts to that purpose. |
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