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1. |
Record Nr. |
UNINA990009140510403321 |
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Autore |
Gelli, Bianca R. |
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Titolo |
Psicologia della differenza di genere : soggettività femminili tra vecchi pregiudizi e nuova cultura / Bianca Gelli |
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Pubbl/distr/stampa |
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Milano, : FrancoAngeli, 2009 |
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ISBN |
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Descrizione fisica |
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Collana |
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Psicologia , Textbook ; 21 |
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Disciplina |
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Locazione |
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Collocazione |
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Collez. 2128 (21) |
305.42 GEL 1 |
150.2970 GELB 01 |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In appendice: Frammenti di un discorso: oviciti e spermatozoi: dalla biologia all'etica del rapporto, dello stesso autore |
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2. |
Record Nr. |
UNINA9910692514803321 |
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Autore |
Pavitt James L |
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Titolo |
Remarks of Deputy Director for Operations, James L. Pavitt, at the Foreign Policy Association, 21 June 2004 [[electronic resource] ] : as prepared for delivery |
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Pubbl/distr/stampa |
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[Washington, D.C.] : , : Central Intelligence Agency, Director of Central Intelligence, , [2004] |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on July 1, 2004). |
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3. |
Record Nr. |
UNINA9910782131303321 |
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Autore |
Cones John W |
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Titolo |
43 ways to finance your feature film : a comprehensive analysis of film finance / / John W. Cones |
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Pubbl/distr/stampa |
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Carbondale : , : Southern Illinois University Press, , 2008 |
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ISBN |
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0-8093-8739-5 |
1-4356-6344-6 |
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Edizione |
[Third edition.] |
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Descrizione fisica |
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1 online resource (386 p.) |
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Disciplina |
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Soggetti |
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Motion picture industry - Finance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (pages 331-357) and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright; Contents; Preface; Introduction: No Single Best Way; Part One: Subsidies; 1. Gifts and Grants; 2. Domestic Government Subsidies and Tax Incentives; Part Two: Investor Financing; 3. The Investor-Financing Agreement; 4. General Partnerships and Joint Ventures; 5. The Initial Incorporation; 6. The Member-Managed LLC; 7. The Manager-Managed LLC; 8. Limited Partnerships; 9. Corporate Finance; 10. Statutory Exemptions of the 1933 Securities Act, Section 4; |
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11. Intrastate Offering Exemption; 12. Regulation D; 13. Public/Private (Hybrid) Exemptions |
14. Small Corporate Offering Registration 15. Regulation A; 16. Regulation S-B; 17. S-1 Public Offerings; 18. Over-the-Counter, NASDAQ and Stock Exchanges; Part Three: Lender Financing; 19. Lender Financing without Distributor Contracts; 20. Negative Pickups and the Artificial Version; 21. Presale Financing; 22. Gap and Supergap Financing; 23. Insurance-Backed Schemes; 24. Securitization; Part Four: Studio/Industry Financing; 25. Studio Development and In-House Production; 26. Studio Production-Financing/Distribution Agreements; 27. Studio-Based Production Companies |
28. Independent Distributors 29. Domestic Studio Facilities; 30. Film Laboratories; 31. Talent Agencies; 32. Actor Financing; 33. Product Placements; 34. End Users; 35. Completion Funds; Part Five: International Finance Options; 36. Foreign Equity; 37. International Coproductions; 38. Foreign Tax Shelters and Tax Incentives; 39. Blocked Currency or Blocked Funds; 40. Foreign Currency; 41. Foreign Below-the-Line or Facilities Deals; 42. Foreign Government Subsidies; 43. Foreign Debt Capitalization Programs; Conclusion: The Broader Film Finance Environment; Appendix A: Finding Investors |
Appendix B: Limited-Use Business Plans Appendix C: Financial Projections; Appendix D: Securities Marketing Considerations; Sources and Further Reading; Index; Author Bio; Back Cover |
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Sommario/riassunto |
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Author Cones breaks financing options down into six main areas: gifts and grants, investor financing, domestic government subsidies and tax incentive programs, lender financing, international finance options, and studio or industry financing. Beginning with the forms of financing most likely to be accessible to independent feature film producers, Cones proceeds to other forms that become increasingly available as the producer's career matures. He provides specific, concise information regarding the many possible strategies and lists the distinct pros and cons of each strategy. Cones also counters much of the bad advice being provided by pseudoprofessional film finance consultants and points out scams that may separate unwary film producers from their money. Although the book focuses on financing feature films, much of its information is relevant to the financing of other kinds of projects, such as short films, documentaries, videos, and multimedia and theatrical endeavors.--From publisher description. |
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4. |
Record Nr. |
UNINA9910780732803321 |
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Autore |
Rashed Marwan |
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Titolo |
Alexandre d'Aphrodise, commentaire perdu à la "Physique" d'Aristote (livres IV-VIII) [[electronic resource] ] : les scholies byzantines : édition, traduction et commentaire / / Marwan Rashed |
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Pubbl/distr/stampa |
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Berlin ; ; Boston, : De Gruyter, c2011 |
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ISBN |
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1-283-39854-0 |
9786613398543 |
3-11-173092-1 |
3-11-021646-9 |
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Descrizione fisica |
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1 online resource (668 p.) |
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Collana |
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Commentaria in Aristotelem Graeca et Byzantina. Quellen und Studien, , 1864-4805 ; ; Bd. 1 |
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Classificazione |
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Disciplina |
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Soggetti |
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Science, Ancient |
Philosophy of nature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- Avant-Propos -- Table des Matières -- Histoire du texte -- Chapitre I Les deux manuscrits -- Chapitre II Les scholies -- Introduction doctrinale -- Chapitre III Alexandre et l'unité de la Physique -- Chapitre IV Alexandre et le traité du lieu (Phys. IV, 1- 5) -- Chapitre V Alexandre et le traité du temps (Phys. IV, 10 - 14) -- Chapitre VI La cinématique d'Alexandre -- Chapitre VII La dynamique d'Alexandre -- Conclusion -- Texte et traduction -- Note sur la présente édition -- Liber IV -- Liber V -- LIBER VI -- LIBER VII -- LIBER VIII -- Index nominum et verborum |
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Sommario/riassunto |
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Der heute verlorene Kommentar von Alexander aus Aphrodisias (ca. 200 n. Chr.) zur Physik des Aristoteles ist eines der wichtigsten Werke der Antike: beeinflusste er doch als Quelle sowohl die neuplatonischen Kommentatoren zu Aristoteles (vor allem Simplikios) als auch - vermittelt durch die Zitate bei Averroes - die Naturphilosophie des Mittelalters. Die von Marwan Rashed präsentierte Erstedition und Untersuchung der nahezu 700 byzantinischen Scholien, die erst jüngst in zwei Pariser Handschriften vom Anfang des 14. Jahrhunderts (Paris. |
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Suppl. gr. 643, Paris. gr. 1859) entdeckt wurden, erlauben eine genauere Rekonstruktion der physikalischen Lehren Alexanders und tragen zugleich zum besseren Verständnis der Geschichte des Aristotelismus und der vor-klassischen Physik bei. Auch finden sich beispielsweise neue Präzisierungen seiner Lehre von Ort und Zeit ebenso wie seines Zugangs zur Bewegung des ,Ersten Bewegers'. Die byzantinischen Scholien ermöglichen zum ersten Mal, die völlige Abhängigkeit des Simplikios von seinem Vorgänger festzustellen und, noch wichtiger, die Transformationen, die er an der peripatetischen Naturphilosophie unternahm, um sie mit einem gewissen Platonismus in Einklang zu bringen. |
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