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Record Nr. |
UNINA9910790093903321 |
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Autore |
Ready Jonathan L. <1976-> |
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Titolo |
Character, narrator, and simile in the Iliad / / Jonathan L. Ready [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2011 |
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ISBN |
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1-107-21371-1 |
1-139-03599-1 |
1-283-05204-0 |
9786613052049 |
1-139-04145-2 |
1-139-04068-5 |
1-139-04222-X |
1-139-04485-0 |
0-511-76096-5 |
1-139-03831-1 |
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Descrizione fisica |
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1 online resource (ix, 323 pages) : digital, PDF file(s) |
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Classificazione |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references and indexes. |
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Nota di contenuto |
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1. The simile and the Homeric comparative spectrum -- 2. Similes and likenesses in the character-text -- 3. A preparation for reading sequences of similes -- 4. Sequences of similes in the character-text -- 5. Narrator, character, and simile -- 6. Similes in the narrator-text -- Conclusion: The Odyssey compared. |
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Sommario/riassunto |
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Jonathan L. Ready offers the first comprehensive examination of Homer's similes in the Iliad as arenas of heroic competition. This study concentrates primarily on similes spoken by Homeric characters. The first to offer a sustained exploration of such similes, Ready shows how characters are made to contest through and over simile not only with one another but also with the narrator. Ready investigates the narrator's similes as well. He demonstrates that Homer amplifies the feat of a successful warrior by providing a competitive orientation to |
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sequences of similes used to describe battles. He also offers a new interpretation of Homer's extended similes as a means for the poet to imagine his characters as competitors for his attention. Throughout this study, Ready makes innovative use of approaches from both Homeric studies and narratology that have not yet been applied to the analysis of Homer's similes. |
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2. |
Record Nr. |
UNINA9910780560103321 |
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Autore |
Heble Ajay <1961-> |
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Titolo |
The tumble of reason : Alice Munro's discourse of absence / / Ajay Heble |
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Pubbl/distr/stampa |
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Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1994 |
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©1994 |
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ISBN |
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1-282-00306-2 |
9786612003066 |
1-4426-8247-7 |
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Descrizione fisica |
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1 online resource (223 p.) |
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Collana |
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Disciplina |
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Soggetti |
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Women and literature - Canada - History - 20th century |
Postmodernism (Literature) - Canada |
Discourse analysis, Literary |
Livres numeriques. |
History |
Criticism, interpretation, etc. |
e-books. |
Electronic books. |
Canada |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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CONTENTS -- PREFACE -- Introduction: The Disruption of Writing -- 1 Early 'Signs of Invasion': Dance of the Happy Shades -- 2 'So Many |
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Created Worlds': Lives of Girls and Women -- 3 The Politics of Deferral: Power and Suspicion in Something I've Been Meaning to Tell You -- 4 Acknowledging the Nether Voices: Signs of Instability in Who Do You Think You Are? -- 5 Towards a Poetics of Surprise: 'Change and Possibility' in The Moons of Jupiter -- 6 'It's What I Believe': Patterns of Complicity in The Progress of Love |
7 (Re)construction and/as Deception in Friend of My YouthConclusion: The Problem of an Ending -- NOTES -- WORKS CONSULTED -- INDEX -- A -- B -- C -- D -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- W -- Y |
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Sommario/riassunto |
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Much of the critical writing on the fiction of Alice Munro has explored and emphasized Munro's 'realism'. But her stories frequently turn on what has been left out; they are rife with unsent (unfinished) letters, with things people mean to, but do not, say or tell. Ajay Heble's study focuses on Munro's involvement with a 'discourse of absence' and suggests that our understanding of these texts often depends not only on what happens in the fiction, but also on what might have happened. Munro's stories confer their meaning not simply by referring to an outer reality, but also by bestowing upon the reader a stimulating wealth of possibilities taken from what we might call a potential or absent level of meaning. Characteristically, they articulate an unresolvable tension between variants on these positions: between, on the one hand, her delineation of a surface reality -- a world 'out there' which we are invited to recognize as real and true -- and, on the other, her involvement with a discourse of absence that challenges the very conventions within which her fiction operates. Drawing on structuralist and post-structuralist theories of language and its relation to meaning, knowledge, and systems of power, and on theories of postmodernist fiction, Heble offers both a careful reading of Munro's stories and a theoretical framework for reading meanings in absence. His book extends recent revisionist analysis and makes a valuable and original contribution to the criticism on Munro. |
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