1.

Record Nr.

UNINA9910780514203321

Autore

Dawn Leslie Allan <1950->

Titolo

National visions, national blindness [[electronic resource] ] : Canadian art and identities in the 1920s / / Leslie Dawn

Pubbl/distr/stampa

Vancouver, : UBC Press, c2006

ISBN

1-282-74104-7

9786612741043

0-7748-5508-8

Descrizione fisica

1 online resource (457 p.)

Disciplina

704.9/49971062

709.7109/042

Soggetti

Art, Canadian - 20th century

Indians in art

Landscapes in art

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Limited edition of 500 copies.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Acknowledgments

Sommario/riassunto

In the early decades of the twentieth century, Canada sought to define itself as an independent dominion with allegiance to the British Empire. The visual arts were considered central to the formation of a distinct national identity, and the Group of Seven's landscapes became part of a larger program to unify the nation and assert its uniqueness. National Visions, National Blindness traces the development of this program and illuminates its conflicted history. Using newly discovered archival evidence, Leslie Dawn revises common interpretations of several well-known events and rescues others from obscurity. He problematizes conventional perceptions of the Group as a national school and underscores the contradictions inherent in international exhibitions showing unpeopled landscapes alongside Northwest Coast Native arts and the "Indian" paintings of Langdon Kihn and Emily Carr. Dawn examines how this dichotomy forced a re-evaluation of the place of First Nations in both Canadian art and nationalism. National Visions, National Blindness is an elegantly written work offering new and insightful analysis, and will be of great interest to readers and



researchers of Canadian art history, First Nations art and history, tourism, cultural politics, museum studies, and ethnographic practices.