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1. |
Record Nr. |
UNINA9910796455703321 |
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Autore |
Bigenho Michelle |
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Titolo |
Sounding Indigenous : Authenticity in Bolivian Music Performance / / by Michelle Bigenho |
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Pubbl/distr/stampa |
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New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2002 |
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ISBN |
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9781137118134 |
1-137-11813-X |
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Descrizione fisica |
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1 online resource (XIII, 289 p.) |
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Disciplina |
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Soggetti |
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Culture-Study and teaching |
Music |
Ethnology |
Ethnicity |
Anthropology |
Regional and Cultural Studies |
Social Anthropology |
Cultural Anthropology |
Ethnicity Studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Talbe of Contents -- List of Figures -- Acknowledgements -- Chapter 1 Authenticity Matters -- Chapter 2 What Makes You Want to Dance -- Chapter 3 "Time!" -- Chapter 4 Indigenous Cool and the Politics of Aesthetics -- Chapter 5 The Burden and Lightness of Authenticity -- Chapter 6 Sonorous Sovereignty -- Chapter 7 The Indigenous Work and Its Authorship -- Chapter 8 Codas, Despedidas, and Kacharpayas -- Notes -- Glossary -- Works Cited -- Index. |
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Sommario/riassunto |
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Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book |
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frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences. |
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2. |
Record Nr. |
UNINA9910780445203321 |
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Autore |
Acevedo-Muñoz Ernesto R. <1968-> |
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Titolo |
Buñuel and Mexico [[electronic resource] ] : the crisis of national cinema / / Ernesto R. Acevedo-Muñoz |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2003 |
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ISBN |
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0-520-93048-7 |
1-59734-516-4 |
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Descrizione fisica |
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1 online resource (216 p.) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 177-185) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Figures -- Acknowledgments -- Introduction -- 1. Mexican Cinema in the Time of Luis Buñuel -- 2. Buñuel and Mexico -- 3. Los Olvidados and the Crisis of Mexican Cinema -- 4. Genre,Women, Narrative -- 5. On the Road -- 6. Masculinity and Class Conflict -- Conclusion. From Buñuel to "Nuevo Cine" -- Filmography of Luis Buñuel -- Notes -- Bibliography -- Index |
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Sommario/riassunto |
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Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to |
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fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films-made between 1947 and 1965-within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930's through the 1950's and the "new" Cinema of the 1960's, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema. |
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