1.

Record Nr.

UNINA9910780333303321

Autore

Harris Max <1949->

Titolo

Carnival and other Christian festivals : folk theology and folk performance / / Max Harris

Pubbl/distr/stampa

Austin : , : University of Texas Press, , 2003

ISBN

0-292-79863-6

Edizione

[1st ed.]

Descrizione fisica

1 online resource (xi, 282 pages) : illustrations (some color)

Collana

Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture

Disciplina

263/.97

Soggetti

Fasts and feasts

Carnivals

Festivals

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. [253]-269) and index.

Nota di contenuto

Frontmatter -- Contents -- Illustrations -- Acknowledgments -- PART ONE Days of Saints and Virgins -- 1. Demons and Dragons (CATALONIA) -- 2. Flowers for Saint Tony (ARAGON) -- 3. El Mas Chiquito de To’ Los Santos (PUERTO RICO) -- 4. The Cross-Dressed Virgin on a Tightrope (MEXICO) -- 5. A Polka for the Sun and Santiago (MEXICO) -- PART TWO Corpus Christi -- 6. Dancing under Friendly Fire (CATALONIA) -- 7. A Confraternity of Jews (CASTILE-LA MANCHA) -- 8. Saint Sebastian and the Blue-eyed Blacks (PERU) -- PART THREE Carnivals -- 9. A Scattering of Ants (GALICIA) -- 10. The Bandit and the Fat Man (NAVARRE) -- 11. Safe for the Bourgeoisie (BELGIUM) -- 12. Devils and Decorum (TRINIDAD) -- 13. The Sins of the Carnival Virgin (BOLIVIA) -- Notes -- Bibliography -- Index

Sommario/riassunto

With a riotous mix of saints and devils, street theater and dancing, and music and fireworks, Christian festivals are some of the most lively and colorful spectacles that occur in Spain and its former European and American possessions. That these folk celebrations, with roots reaching back to medieval times, remain vibrant in the high-tech culture of the twenty-first century strongly suggests that they also provide an indispensable vehicle for expressing hopes, fears, and desires that people can articulate in no other way. In this book, Max Harris explores and develops principles for understanding the folk theology underlying



patronal saints' day festivals, feasts of Corpus Christi, and Carnivals through a series of vivid, first-hand accounts of these festivities throughout Spain and in Puerto Rico, Mexico, Peru, Trinidad, Bolivia, and Belgium. Paying close attention to the signs encoded in folk performances, he finds in these festivals a folk theology of social justice that—however obscured by official rhetoric, by distracting theories of archaic origin, or by the performers' own need to mask their resistance to authority—is often in articulate and complex dialogue with the power structures that surround it. This discovery sheds important new light on the meanings of religious festivals celebrated from Belgium to Peru and on the sophisticated theatrical performances they embody.