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Record Nr. |
UNINA9910780078303321 |
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Titolo |
American Klezmer [[electronic resource] ] : its roots and offshoots / / edited by Mark Slobin |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, c2002 |
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ISBN |
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1-282-76243-5 |
9786612762437 |
0-520-93565-9 |
1-59734-462-1 |
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Descrizione fisica |
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1 online resource (255 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 221-232) and index. |
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Nota di contenuto |
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Front matter -- Contents -- Illustrations -- Introduction -- 1. American Klezmer: A Brief History -- 2. Klezmer-loshn: The Language of Jewish Folk Musicians -- 3. Di Rusishe Progresiv Muzikal Yunyon No. 1 fun Amerike: The First Klezmer Union in America -- 4. The Klezmer in Jewish Philadelphia, 1915-70 -- 5. "All My Life a Musician": Ben Bazyler, a European Klezmer in America -- 6. Bulgǎreascǎ /Bulgarish /Bulgar: The Transformation of a Klezmer Dance Genre -- 7. Sounds of Sensibility -- 8. Klez Kamp and the Rise of Yiddish Cultural Literacy -- 9. Newish, Not Jewish: A Tale of Two Bands -- 10. An Insider's View: How We Traveled from Obscurity to the Klezmer Establishment in Twenty Years -- 11. Why We Do This Anyway: Klezmer as Jewish Youth Subculture -- Sources -- Contributors -- Index |
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Sommario/riassunto |
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Klezmer, the Yiddish word for a folk instrumental musician, has come to mean a person, a style, and a scene. This musical subculture came to the United States with the late-nineteenth-century Jewish immigrants from Eastern Europe. Although it had declined in popularity by the middle of the twentieth century, this lively music is now enjoying recognition among music fans of all stripes. Today, klezmer flourishes in the United States and abroad in the world music and accompany |
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Jewish celebrations. The outstanding essays collected in this volume investigate American klezmer: its roots, its evolution, and its spirited revitalization. The contributors to American Klezmer include every kind of authority on the subject--from academics to leading musicians--and they offer a wide range of perspectives on the musical, social, and cultural history of klezmer in American life. The first half of this volume concentrates on the early history of klezmer, using folkloric sources, records of early musicians unions, and interviews with the last of the immigrant musicians. The second part of the collection examines the klezmer "revival" that began in the 1970's. Several of these essays were written by the leaders of this movement, or draw on interviews with them, and give firsthand accounts of how klezmer is transmitted and how its practitioners maintain a balance between preservation and innovation. |
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