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1. |
Record Nr. |
UNINA9910460607703321 |
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Autore |
Abushwesha Farah |
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Titolo |
Rocliffe notes : a professional approach for screenwriters & writer-directors / / Farah Abushwesha |
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Pubbl/distr/stampa |
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Harpenden, Hertfordshire : , : Kamera Books, , 2014 |
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©2014 |
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ISBN |
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Descrizione fisica |
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1 online resource (385 p.) |
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Disciplina |
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Soggetti |
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Motion picture authorship |
9781843444282 |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover; Title Page; Copyright; Acknowledgements; Contents; Finding the Right Collaborator; CONTRIBUTORS; WHY I LOVE WRITING; 01; What Is the Job of a Writer?; What Is the Job of Director or Writer-Director?; What Does a Director Do?; What Do Producers Do?; Other Decision Makers and What They Do; Know Thyself Creatively; ROCLIFFE NOTES on... Working Out Your Creative DNA; A Writer Needs to Write; ROCLIFFE NOTES ON... Getting Started; 02; What's Your Writing Process?; Ideas Are in the Ether: Use Them or Lose Them; Where Do Your Ideas Come From?; Rocliffe Notes on... Inspiration |
Everyone Can Write, But Not Always a Good Screenplay Rocliffe Notes on... Writing a Good Screenplay; A Professional Approach to Writing; Rocliffe Notes on... A Professional Approach; No One Way In; Tips for Breaking In Today from Emerging Writers; 03; New Talent Is the Industry's Lifeblood; What Do You Like to Find?; Where Do You Look for New Talent?; How Do Projects Get Developed and Commissioned?; Personal vs Professional Taste; Sending Out Samples of Your Work; Read My Script - That Is the Question; What Makes the First Read the Last? |
Rocliffe Notes on... How to Help Yourself and Script Housekeeping Less Is More - Ideal Length; 04; Comedy Writing; Key Things You Want to Find in a Film Script; Create a Web Series; Rocliffe Notes on... Writing |
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and Creating a Web Series; Writing for Theatre; TV Writing; Rocliffe Notes from... Paula Milne; Adaptation; Radio; Documentaries and Unscripted - From Start to Finish; Co-Writing - How Does That Work?; Co-Writing - The Pros; Co-Writing - The Cons; Industry Misconceptions and Realities; 05; Cover Notes; Filling In the Application Form; Rocliffe Notes on... What to Consider When Filling In Forms |
A Short Biography - 100 Words Rocliffe Notes on... Writing a Short Biography; Spec Samples of Work; Rocliffe Notes on... Spec Samples; It's All About Character, Character, Character; Creating a Character; Rocliffe Notes on... Creating Characters' Backstory; The Treatment; Rocliffe Notes on... Treatments; Writing TV Episode Guides or Storylines; Rocliffe Notes on... Storylines and Episode Guides; Say It in One Line - The Elevator Pitch; Rocliffe Notes on... The One-Line Synopsis; 06; Finding a Producer; Perfect Pitching; Executives on Preparing for a Meeting With Them; Creatives on Preparing for a Meeting |
Rocliffe Notes on... Overcoming Nerves for a Meeting, Pitch or Presentation Rocliffe Notes on... Meetings; Rocliffe Notes On... Finding Collaborators; Rocliffe Notes on... What to Look for in a Developer or Collaborator; Approaching a Production Company; Rocliffe Notes on... Who to Send Your Script to; What Is the BBC Writers room?; 07; Development; What Are Notes?; The Purpose of Feedback and Notes; Who to Get Feedback from; Conflicting Feedback; Consider Rejection a Rite of Passage; Rejection Isn't Just for Newbies; Rocliffe Notes on... Why Your Script Might Be Turned Down; 08; Procrastination; Research |
Finishing What You Start |
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Sommario/riassunto |
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A manual for screenwriters and filmmakers, in the form of notes, on how to take your career from amateur writer to pro Rocliffe Notes is a compendium for screenwriters and filmmakers which brings together tips and opinions from more than 140 film and TV industry professionals, and provides a step-by-step, common-sense guide on how writers and writer-directors can best present themselves to the industry. Including insider insights from award-winning industry players, it also details their habits, writing processes, daily passions, and preoccupations, while also looking at the nuts and bolts of |
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2. |
Record Nr. |
UNINA9910780074203321 |
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Autore |
Watson Francis <1956-> |
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Titolo |
Agape, eros, gender : towards a Pauline sexual ethic / / Francis Watson [[electronic resource]] |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2000 |
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ISBN |
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1-107-11857-3 |
0-511-01345-0 |
1-280-42095-2 |
0-511-17440-3 |
0-511-15433-X |
0-511-32520-7 |
0-511-48820-3 |
0-511-04901-3 |
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Descrizione fisica |
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1 online resource (x, 268 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Sex - Religious aspects - Christianity |
Agapaō (The Greek word) |
Sex role - Religious aspects - Christianity |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di contenuto |
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I. Velamen: 1 Corinthians 11 -- 1. Belonging together -- 2. Eros veiled -- II. Concupiscentia: Romans 7 -- 3. Sex: a critique -- 4. The Tombs of Desire -- III. Sacramentum: Ephesians 5 -- 5. Eros transfigured? -- 6. Engendering agape. |
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Sommario/riassunto |
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Issues of gender and sexuality have recently come to the fore in all humanities disciplines, and this book reflects this broad interdisciplinary situation, although its own standpoint is broadly theological. In contrast to many contemporary feminist theologies, gender and sexuality (eros) are here understood within a distinctively Christian context characterized by the reality of agape - the New Testament's term for the comprehensive divine-human love that includes the relationship of man and woman within its scope. The central problem is concern with key Pauline texts relating to gender |
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and sexuality (1 Cor. 11, Rom. 7, Eph. 5), texts whose influence on western theology and culture has been enduring and pervasive. They are read here in conjunction with later theological and non-theological texts that reflect that influence - ranging from Augustine and Barth to Virginia Woolf, Freud and Irigaray. |
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