1.

Record Nr.

UNINA9910780069303321

Autore

Shell Alison

Titolo

Catholicism, controversy, and the English literary imagination, 1558-1660 / / Alison Shell [[electronic resource]]

Pubbl/distr/stampa

Cambridge : , : Cambridge University Press, , 1999

ISBN

1-107-11378-4

0-511-00724-8

1-280-16171-X

0-511-11660-8

0-511-14995-6

0-511-30993-7

0-511-48398-8

0-511-05387-8

Descrizione fisica

1 online resource (xi, 309 pages) : digital, PDF file(s)

Disciplina

820.9/9222/09031

Soggetti

English literature - Early modern, 1500-1700 - History and criticism

English literature - Catholic authors - History and criticism

Christianity and literature - England - History - 16th century

Christianity and literature - England - History - 17th century

Christian literature, English - History and criticism

Catholics - England - History - 16th century

Catholics - England - History - 17th century

Catholics - England - Intellectual life

Anti-Catholicism in literature

Catholics in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Nota di bibliografia

Includes bibliographical references (p. 300-302) and index.

Nota di contenuto

The livid flash: decadence, anti-Catholic revenge tragedy and the dehistoricised critic -- Catholic poetics and the Protestant canon -- Catholic loyalism: I. Elizabethan writers -- Catholic loyalism: II. Stuart writers -- The subject of exile: I -- The subject of exile: II.

Sommario/riassunto

The Catholic contribution to English literary culture has been widely



neglected or misunderstood. This book sets out to rehabilitate a wide range of Catholic imaginative writing, while exposing the role of anti-Catholicism as an imaginative stimulus to mainstream writers in Tudor and Stuart England. It discusses canonical figures such as Sidney, Spenser, Webster and Middleton, those whose presence in the canon has been more fitful, and many who have escaped the attention of literary critics. Among the themes to emerge are the anti-Catholic imagery of revenge tragedy and the definitive contribution made by Southwell and Crashaw to the post-Reformation revival of religious verse in England. Alison Shell offers a fascinating exploration of the rhetorical stratagems by which Catholics sought to demonstrate simultaneous loyalties to the monarch and to their religion, and of the stimulus given to the Catholic literary imagination by the persecution and exile so many of these writers suffered.