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1. |
Record Nr. |
UNINA9910696584903321 |
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Autore |
White Seth M |
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Titolo |
Bridging the worlds of fire managers and researchers [[electronic resource] ] : lessons and opportunities from the Wildland Fire Workshops / / Seth M. White |
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Pubbl/distr/stampa |
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Portland, OR : , : U.S. Dept. of Agriculture, Forest Service, Pacific Northwest Research Station, , [2004] |
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Descrizione fisica |
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41 pages : digital, PDF file |
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Collana |
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General technical report ; ; PNW-GTR-599 |
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Soggetti |
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Wildfires - West (U.S.) |
Fire management - West (U.S.) |
Communication in forestry - West (U.S.) |
Conference papers and proceedings. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on Apr. 10, 2008). |
"March 2004." |
A series of workshops held in March and April, 2003, at Oregon State University, University of Arizona, and Colorado State University. |
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Nota di bibliografia |
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Includes bibliographical references (pages 33-35). |
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2. |
Record Nr. |
UNINA9910779998203321 |
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Autore |
Kuijken Barthold |
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Titolo |
The notation is not the music [[electronic resource] ] : reflections on early music practice and performance / / Barthold Kuijken |
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Pubbl/distr/stampa |
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Bloomington ; ; Indianapolis, : Indiana University Press, c2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (142 p.) |
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Collana |
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Publications of the Early Music Institute |
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Disciplina |
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Soggetti |
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Performance practice (Music) |
Music - Performance |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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The underlying philosophy -- My way toward research -- The limits of notation -- The notation, its perception, and rendering -- Outlook -- Sources of inspiration. |
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Sommario/riassunto |
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Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters-and limitations-of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance. |
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