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Record Nr. |
UNINA9910779995003321 |
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Titolo |
Moving image theory [[electronic resource] ] : ecological considerations / / edited by Joseph D. Anderson and Barbara Fisher Anderson ; with a foreword by David Bordwell |
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Pubbl/distr/stampa |
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Carbondale, : Southern Illinois University Press, c2005 |
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ISBN |
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Descrizione fisica |
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1 online resource (269 p.) |
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Altri autori (Persone) |
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AndersonJoseph <1940-> |
AndersonBarbara Fisher <1951-> |
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Disciplina |
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Soggetti |
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Motion pictures - Psychological aspects |
Motion picture audiences - Psychology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Title Page; Copyright; Contents; Foreword; Preliminary Considerations; Part One. Information Available in Moving Images; 1. Perceiving Scenes in Film and in the World; 2. The Value of Oriented Geometry for Ecological Psychology and Moving Image Art; Part Two. Perception of Simulated Human Motion; 3. Creating Realistic Motion; 4. Perceiving Human Motion in Synthesized Images; Part Three. Acoustic Events; 5. Background Tracks in Recent Cinema; 6. Acoustic Specification of Object Properties; Part Four. Information in Facial Expression |
7. Three Views of Facial Expression and Its Understandingin the Cinema8. Facial Motion as a Cue to Identity; Part Five. Coupling of Perception and Emotion; 9. Film Lighting and Mood; 10. Cinematic Creation of Emotion; Part Six. Appeals of Reality-Based Moving Images; 11. Documentary's Peculiar Appeals; 12. Reality Programming: Evolutionary Models of Film and Television Viewership; Part Seven. Events, Symbols, and Metaphors; 13. Through Alice's Glass: The Creation and Perception of Other Worlds in Movies, Pictures, and Virtual Reality; 14. Metaphors in Movies; Contributors; Index; Back Cover |
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Sommario/riassunto |
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Blending unconventional film theory with nontraditional psychology to provide a radically different set of critical methods and propositions |
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