1.

Record Nr.

UNINA9910779982303321

Titolo

Ways ahead [[electronic resource]] : proceedings of the First International Csound Conference / / edited by Joachim Heintz, Alex Hofmann and Iain McCurdy

Pubbl/distr/stampa

Newcastle, Neb., : Cambridge Scholars Pub., c2013

ISBN

1-4438-5122-1

Descrizione fisica

1 online resource (311 p.)

Altri autori (Persone)

HeintzJoachim

HofmannAlex

McCurdyIain

Disciplina

780.285416

Soggetti

Computer sound processing

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di contenuto

TABLE OF CONTENTS; FOREWORD; HISTORY; CSOUND PAST, PRESENT AND FUTURE; HOW TO BECOME A CSOUND ROOT?; LICENSING CSOUND TO LGPL; DEVELOPMENT; USER-DEVELOPER ROUND TABLE I; WRITING CSOUND OPCODES IN LUA; THE CSOUND API; CSOUND AND OBJECT-ORIENTATION; THE HADRON PLUGIN AND THE PARTIKKEL OPCODE; DEVELOPING CSOUND PLUGINS WITH CABBAGE; WAVELETS IN CSOUND; MUSIC; PERFORMING WITH CSOUND; FINGERS IN THE WAVES; SPINNING PENDULUM CLOCK; RAZOR CHOPPER; ..ED IO STO AL CENTRO; GEOGRAPHIES; ZEITFORMATION; ...UND LÄCHELND IHR ÜBEL UMARMEN...; THE ECHO; TRÊS QUADROS SOBRE PEDRA; VINETA; CHEBYCHEV

THE RITE OF JUDGMENTCSOUND HAIKU; CONTINUOUS FLOW MACHINES; USAGE; THE CSOUND JOURNAL; DEVELOPING CSOUNDQT; PYTHON SCRIPTING IN CSOUNDQT; COMPOSING CIRCUMSPECTRAL SOUNDS; CREATING REVERB EFFECTS USING GRANULAR SYNTHESIS; INTRODUCING CSOUND FOR LIVE; COMPOSING WITH BLUE; THE UDO DATABASE; EDUCATION; USER-DEVELOPER ROUND TABLE II; A PERSONAL VIEW ON TEACHING CSOUND; PWGL; QUINCE; CSOUND AT HMTM HANNOVER; THE CSOUND REAL-TIME COLLECTION; TEACHING WITH CSOUND; COLLABORATIVE DOCUMENTATION OF OPEN SOURCE MUSIC SOFTWARE; IMPRESSIONS OF THE FIRST INTERNATIONAL



CSOUND CONFERENCE

SCHEDULE OF THE FIRST INTERNATIONAL CSOUND CONFERENCEEDITORS

Sommario/riassunto

The first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound - in existence since 1986 - met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions