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Record Nr. |
UNINA9910779740303321 |
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Titolo |
The music documentary : acid rock to electropop / / edited by Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan |
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Pubbl/distr/stampa |
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New York, N.Y. ; ; Abingdon, Oxon : , : Routledge, , 2013 |
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ISBN |
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1-136-31103-3 |
0-415-52802-X |
0-203-11868-5 |
1-136-31104-1 |
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Descrizione fisica |
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1 online resource (264 p.) |
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Collana |
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Routledge music and screen media series |
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Altri autori (Persone) |
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Edgar-HuntRobert |
Fairclough-IsaacsKirsty |
HalliganBenjamin |
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Disciplina |
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Soggetti |
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Documentary films - History and criticism |
Documentary television programs - History and criticism |
Musicians in motion pictures |
Concert films - History and criticism |
Rock films - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover ; Title Information; Title Page; Copyright Page; Dedication ; Table of Contents; Series Foreword; Preface; Acknowledgments; Introduction: Music Seen: The Formats and Functions of the Music Documentary; Part I: Evolutions of the Music Documentary ; 1 Tony Palmer's All You Need Is Love: Television's First Pop History; 2 Retrospective Compilations: (Re)defining the Music Documentary; 3 Sound and Vision: Radio Documentary, Fandom, and New Participatory Cultures; Part II: Scenes from the Sixties ; 4 The Good, The Bad, and The Ugly '60s: The Opposing Gazes of Woodstock and Gimme Shelter |
5 "Let Your Bullets Fly, My Friend": Jimi Hendrix at Berkeley 6 "You Can't Always Get What You Want": Riding on The Medicine Ball Caravan; Part III: Punk Cultures ; 7 No Wave Film and the Music Documentary: From No Wave Cinema "Documents" to Retrospective Documentaries; 8 The Anxiety of Authenticity: Post-punk Film in the 2000s; 9 "Every Tongue |
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Brings in a Several Tale": The Filth and the Fury's Counterhistorical Transgressions; Part IV: "Mockumentaries" and "Rockumentaries" ; 10 The Circus is in Town: Rock Mockumentaries and the Carnivalesque |
11 Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970sPart V: New Directions in the Music Documentary ; 12 "Moogie Wonderland": Technology, Modernity, and the Music Documentary; 13 An Ethnographic Video Project for the Music Classroom; 14 Mediating The Agony and the Ecstasy of Phil Spector: Documenting Monstrosity?; 15 Desperately Seeking Kylie! Critical Reflections on William Baker's White Diamond; List of Contributors; Index |
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Sommario/riassunto |
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<P><EM>The Music Documentary</EM> offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times - particularly for those figures whose fame was achieved posthumously. </P><P></P><P>In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights i |
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