1.

Record Nr.

UNISALENTO991001525819707536

Autore

Pirri, Pietro

Titolo

Giovanni Tristano e i primordi della architettura gesuitica / Pietro Pirri

Pubbl/distr/stampa

Roma : Institutum Historicum S. J., 1955

Descrizione fisica

XV, 299 p. : 40 tav. ; 25 cm

Collana

Bibliotheca Instituti historicum Societatis Jesu ; 6

Disciplina

726

Soggetti

Chiese gesuitiche

Architettura sacra

Tristano, Giovanni Opere

Tristano, Giovanni Opere

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910779694103321

Autore

Guion David M. <1948->

Titolo

A history of the trombone [[electronic resource] /] / David M. Guion

Pubbl/distr/stampa

Lanham, MD, : Scarecrow Press, 2010

ISBN

1-299-44410-5

1-4616-5590-0

Descrizione fisica

1 online resource (269 p.)

Collana

American wind band series ; ; no. 1

Disciplina

788.9/309

Soggetti

Trombone - History

Trombone

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; List of Illustrations; Series Foreword; Preface; Chapter 1: Overview; Part I: Development of the Instrument; Chapter 2: The Origins of the Trombone; Chapter 3: The Trombone from the U-Slide to the Invention of Valves; Chapter 4: The Valve Era; Part II: Performance History; Chapter 5: Minstrelsy and the Wind Bands of the Late Middle Ages; Chapter 6: The Renaissance Trombone; Chapter 7: The Decline and Revival of the Trombone, 1630-1830; Chapter 8: The Modern Trombone, 1830-2000; Appendix: Selected Documents; Bibliography

IndexAbout the Author

Sommario/riassunto

This book, the first in the American Wind Band series, is a comprehensive account of the development of the trombone, from its initial form as a 14th-century Medieval trumpet to its alterations in the 15th century; from its marginalized use in a particular Renaissance ensemble to its acceptance in various kinds of artistic and popular music in the 19th and 20th centuries. The book is fully illustrated with more than 80 images and includes an appendix of transcriptions of selected primary source documents with translations and a comprehensive bibliography.