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1. |
Record Nr. |
UNINA990010062850403321 |
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Autore |
Carbone, Carlo |
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Titolo |
Etnie e guerra fredda : una storia dell'Africa dei Grandi Laghi / Carlo Carbone |
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Pubbl/distr/stampa |
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Pisa : Edizioni ETS, 2015 |
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ISBN |
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Descrizione fisica |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNISA996396790103316 |
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Titolo |
Whereas the Parliament stands prorogued until the third day of August next, and whereas for sundry causes and considerations, we have thought it fit and convenient and necessary further to prorogue the said Parliament until l the seventh day of September next .. [[electronic resource] /] / by the Lord Deputie, Ossory |
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Pubbl/distr/stampa |
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Dublin, : Printed by John Crook ... and are to be sold by Samuel Dancer ..., 1665 |
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Descrizione fisica |
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Altri autori (Persone) |
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OssoryThomas Butler, Earl of, <1634-1680.> |
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Soggetti |
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Ireland History 1649-1775 |
Ireland Politics and government 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from first 6 lines of text. |
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Statement of responsibility transposed from head of title. |
"Given at the Council chamber in Dublin, the four and twentieth day of July, 1665." |
Reproduction of original in the Society of Antiquaries Library, London. |
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3. |
Record Nr. |
UNINA9910779669403321 |
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Autore |
Buci-Glucksmann Christine |
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Titolo |
The madness of vision : on baroque aesthetics / / Christine Buci-Glucksmann ; translated by Dorothy Z. Baker |
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Pubbl/distr/stampa |
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Athens, Ohio : , : Ohio University Press, , 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (xxii, 172 pages) : illustrations |
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Collana |
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Series in continental thought |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Aesthetics, Modern - 17th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Sommario/riassunto |
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"Christine Buci-Glucksmann's The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image--Arabic script, Bettini's "The Eye of Cardinal Colonna," Bernini's Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio's Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer's self- |
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portrait, among others--and deftly crosses historical, national, and artistic boundaries to address Graciǹ's El Criticn̤; Monteverdi's opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer's Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts"-- |
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