1.

Record Nr.

UNINA9910779618503321

Titolo

Destruction in the performative [[electronic resource] /] / edited and with an introduction by Alice Lagaay and Michael Lorber

Pubbl/distr/stampa

Amsterdam, : Rodopi, 2012

ISBN

94-012-0741-0

Descrizione fisica

1 online resource (220 p.)

Collana

Critical studies ; ; v. 36

Altri autori (Persone)

LagaayAlice

LorberMichael

Disciplina

306

Soggetti

Performative (Philosophy)

Creative destruction

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references.

Nota di contenuto

Preliminary Material / Alice Lagaay and Michael Lorber -- Introduction: Destruction in the Performative / Alice Lagaay and Michael Lorber -- Recognition and Disrespect: Lordship and Bondage in Hegel’s Phenomenology of Spirit / Steffen K. Herrmann -- Hegemonic Listening and Subversive Silences: Ethical-political Imperatives / Nikita Dhawan -- Two Saints and the Power of the Auditive / Rebecca Wolf -- Acoustic Violence in Contemporary German Theatre / Jenny Schrödl -- Asceticism Poses a Threat: The Enactment of Voluntary Hunger / Barbara Gronau -- Salomania – Trans and Trans-temporal: A Queer Archaeology of Destructiveness / Renate Lorenz -- Masochistic Self-shattering between Destructiveness and Productivity / Volker Woltersdorff -- Triggering Latency Zones in Modern Society: Richard Serra’s Sculptures within the Urban Setting / Kristiane Hasselmann -- Creative Destructions: Gabriel Tarde’s Concept of a Passionate Economy / Katja Rothe -- Code Decay: Organizational Performance and Destructivity / Robert Schmidt -- List of Contributors / Alice Lagaay and Michael Lorber.

Sommario/riassunto

Cultural transformation tends to be described in one of two ways: either with reference to what comes about, is created or emerges in the process of change or with reference to what is destroyed or obscured in that process. Within a performative paradigm, that is, from a perspective which focuses on the manner in which social and cultural



reality is constituted or brought about by human activity, theorists have, in recent years, tended to underline the productive aspects of transformation by emphasising the creative thrust of performative processes and events. In so doing, this perspective has tended to overlook the extent to which a certain destructive element may in fact be inherent to such performative processes. Drawing upon a range of historical and contemporary constellations of socio-cultural change and a variety of different types of events and activities, the articles in this volume describe different forms of destruction and their respective role in processes of transformation. Their shared aim is to explore the manner in which destructivity, such as the destabilisation and destruction of orders, subjects and bodies, can be grasped by concepts of performativity. In other words, to what extent may a certain destructive dynamic be inscribed within this very notion?