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1. |
Record Nr. |
UNINA9910779540303321 |
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Autore |
Snow Carol <1949-> |
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Titolo |
The seventy prepositions [[electronic resource] ] : poems / / Carol Snow |
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Pubbl/distr/stampa |
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Berkeley, : University of California Press, 2004 |
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Descrizione fisica |
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1 online resource (122 p.) |
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Collana |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. 97-105). |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- The Seventy Prepositions -- VOCABULARY SENTENCES -- VANTAGE -- NOTES -- ACKNOWLEDGMENTS -- ACKNOWLEDGMENTS OF PERMISSIONS |
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Sommario/riassunto |
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Carol Snow's award-winning poetry has been admired and celebrated as "work of difficult beauty" (Robert Hass), "ever restless, ever re-framing the frame of reference" (Boston Review), teaching us "how brutally self-transforming a verbal action can be when undertaken in good faith" (Jorie Graham). In this, her third volume, Snow continues to mine the language to its most mysterious depths and to explore the possibilities its meanings and mechanics hold for definition, transformation, and emotional truth. These poems place us before, and in, language--as we stand before, and in, the world. The Seventy Prepositions comprises three suites of poems. The first, "Vocabulary Sentences," reflects on words and reality by taking as a formal motif the sort of sentences used to test vocabulary skills in elementary school. The poems of the second suite, "Vantage," gather loosely around questions of perspective and perception. The closing suite finds its inspiration in the Japanese dry-landscape gardens known as karesansui, such as the famous rock garden at Ryoan-ji Temple in Kyoto. Here the poet approaches composition as one faces a "miniature Zen garden," choosing and positioning words rather than stones, formally, precisely, evocatively. |
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2. |
Record Nr. |
UNINA9910476935203321 |
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Titolo |
Digital Environments : Ethnographic Perspectives across Global Online and Offline Spaces / Urte Undine Frömming, Steffen Köhn, Samantha Fox, Mike Terry |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2017 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Edition Medienwissenschaft ; 34 |
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Disciplina |
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Soggetti |
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Digital Anthropology; Virtual Worlds; Social Media; Media Anthropology; Digital Culture; Media; Internet; Digital Media; Sociology of Media; Media Studies |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Content 5 Foreword 9 Digital Environments and the Future of Ethnography 13 A Comment on East Greenland Online 25 Welcome Home 39 How has the Internet Determined the Identity of Chilean Gay Men in the Last Twenty Years? 53 Red Packets in the Real and Virtual Worlds 67 Antifeminism Online 77 Exploring the Potentials and Challenges of Virtual Distribution of Contemporary Art 97 Blind and Online 117 How Has Social Media Changed the Way We Grieve? 127 Watch Me, I'm Live 143 Hair, Blood and the Nipple 159 Berlin. Wie bitte? 171 An Exploration of the Role of Twitter in the Discourse Around Race in South Africa 195 Migration, Political Art and Digitalization 211 "You're Not Left Thinking That You're The Only Gay in the Village" 227 Finding a Visual Voice 239 Google A Religion 251 Notes on Contributors 263 |
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Sommario/riassunto |
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Digital technology permeates the physical world. Social media and virtual reality, accessed via internet capable devices - computers, smartphones, tablets and wearables - affect nearly all aspects of social life. The contributions to this volume apply innovative forms of ethnographic research to the digital realm. They examine the emergence of new forms of digital life, such as political participation through comments on East Greenlandic news blogs, the personal use of |
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video broadcasting applications, the rise of transnational migrant networks facilitated by social media, or the effects of Facebook, Twitter, and Instagram on global conflicts. |
Besprochen in: GMK-Newsletter, 3 (2017) Anthropos, 113 (2018), Philipp Budka |
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