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1. |
Record Nr. |
UNINA9910707914903321 |
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Autore |
Ferraiolo Hildegard |
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Titolo |
Guidelines for derived personal identity verification (PIV) credentials / / Hildegard Ferraiolo [and six others] |
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Pubbl/distr/stampa |
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Gaithersburg, MD : , : U.S. Dept. of Commerce, National Institute of Standards and Technology, , 2014 |
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Descrizione fisica |
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1 online resource (v, 27 pages) : illustrations (some color) |
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Collana |
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NIST special publication ; ; 800-157 |
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Soggetti |
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Identification cards - Standards |
Personal information management - Security measures - United States |
Identification cards |
United States Officials and employees Security measures |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from PDF title page (viewed December 19, 2014). |
"December 2014." |
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Nota di bibliografia |
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Includes bibliographical references (pages 26-27). |
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2. |
Record Nr. |
UNINA9910779502703321 |
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Autore |
Pascoe Jim |
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Titolo |
By the balls [[electronic resource]] : the complete collection / / Jim Pascoe & Tom Fassbender; illustrations by Paul Pope |
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Pubbl/distr/stampa |
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New York, : Akashic Books, c2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (731 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover page; Title Page; Copyright page; Table of Contents; The True History of By the Balls and the Birth of UglyTown (2013); "Fireproof" (2013); "Partners" (2002); Five Shots and a Funeral (1999); "A Punch in the Gut and a Bag Full of Oranges" (2000); "Faze Out" (2002); By the Balls (1998); "Across the Line" (2013); Kind Words (2013); Acknowledgments; About the Authors; About Akashic Books |
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Sommario/riassunto |
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Reintroducing hard-boiled detective Ben Drake to a whole new generation, with two brand-new short stories and additional materials. |
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3. |
Record Nr. |
UNINA9910915718503321 |
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Autore |
Urbanowiez Fanny |
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Titolo |
Bruxelles Sur Scène : Luc Malpertuis et l'histoire de la Revue Théâtrale en Belgique (1880-1930) |
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Pubbl/distr/stampa |
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Namur : , : Editions de l'Universite de Bruxelles, , 2022 |
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©2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (347 pages) |
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Soggetti |
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Theater - Belgium |
Satire, Belgian |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Titre -- Copyright -- À propos de l’auteur -- À propos du livre -- Pour référencer cet eBook -- Table des matières -- Remerciements -- Liste des abréviations -- Introduction -- Partie I -- Revues et revuistes en France et en Belgique -- Chapitre I -- Le genre de la revue -- Éléments de définition et origines -- Un format spécifique : invariants et évolution du genre -- Un genre populaire ? -- Chapitre II -- La revue en Belgique -- Paris comme modèle -- Le renouvellement du genre : « l’école belge de la revue » -- Un contexte spécifique -- Chapitre III -- Un revuiste belge : Luc Malpertuis -- Une trajectoire entre presse, scène et littérature -- Les débuts : ambitions littéraires et pratique journalistique -- Entrée, carrière et positions dans le monde du spectacle bruxellois -- Le collectionneur, l’homme « de grande distinction » -- Le fonds Malpertuis : une source idéale pour appréhender la revue -- Aux imprimés : une production massive d’inspiration française -- À la section musicale : le phénomène éditorial des couplets |
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Sommario/riassunto |
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This book explores the history and development of theatrical revues in Belgium, focusing particularly on the works of Luc Malpertuis performed between the late 19th and early 20th centuries. It examines the revue as a theatrical form, its cultural significance, and its social and political implications. The study integrates perspectives from cultural history, performance studies, and the sociology of literature, |
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providing a comprehensive analysis of revues as both a media genre and a cultural phenomenon that reflects societal imaginations. The book is intended for scholars and students interested in theater history, Belgian culture, and media studies. |
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