1.

Record Nr.

UNINA9910779473103321

Autore

Potolsky Matthew

Titolo

The decadent republic of letters [[electronic resource] ] : taste, politics, and cosmopolitan community from Baudelaire to Beardsley / / Matthew Potolsky

Pubbl/distr/stampa

Philadelphia, : University of Pennsylvania Press, c2013

ISBN

1-283-89860-8

0-8122-0733-5

Edizione

[1st ed.]

Descrizione fisica

1 online resource (241 p.)

Collana

Haney Foundation Series

Haney Foundation series

Disciplina

809/.034

Soggetti

Decadence (Literary movement) - England

Decadence (Literary movement) - France

English literature - 19th century - History and criticism

French literature - 19th century - History and criticism

Literature and society - England - History - 19th century

Literature and society - France - History - 19th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. [175]-224) and index.

Nota di contenuto

Frontmatter -- Contents -- Introduction. "Workers of the Final Hour" -- Chapter 1. "Partisans Inconnus" Aesthetic Community and the Public Good in Baudelaire -- Chapter 2. The Politics of Appreciation Gautier and Swinburne on Baudelaire -- Chapter 3. Golden Books Pater, Huysmans, and De cadent Canonization -- Chapter 4. A Mirror for Teachers De cadent Pedagogy and Public Education -- Chapter 5. A Republic of (Nothing but) Letters Some Versions of De cadent Community -- Postscript. Public Works Stéphane Mallarmé's "Le Tombeau de Charles Baudelaire" -- Notes -- Bibliography -- Index -- Acknowledgments

Sommario/riassunto

While scholars have long associated the group of nineteenth-century French and English writers and artists known as the decadents with alienation, escapism, and withdrawal from the social and political world, Matthew Potolsky offers an alternative reading of the movement. In The Decadent Republic of Letters, he treats the decadents as



fundamentally international, defined by a radically cosmopolitan ideal of literary sociability rather than an inward turn toward private aesthetics and exotic sensation.The Decadent Republic of Letters looks at the way Charles Baudelaire, Théophile Gautier, and Algernon Charles Swinburne used the language of classical republican political theory to define beauty as a form of civic virtue. The libertines, an international underground united by subversive erudition, gave decadents a model of countercultural affiliation and a vocabulary for criticizing national canon formation and the increasing state control of education. Decadent figures such as Joris-Karl Huysmans, Walter Pater, Vernon Lee, Aubrey Beardsley, and Oscar Wilde envisioned communities formed through the circulation of art. Decadents lavishly praised their counterparts from other traditions, translated and imitated their works, and imagined the possibility of new associations forged through shared tastes and texts. Defined by artistic values rather than language, geography, or ethnic identity, these groups anticipated forms of attachment that are now familiar in youth countercultures and on social networking sites.Bold and sophisticated, The Decadent Republic of Letters unearths a pervasive decadent critique of nineteenth-century notions of political community and reveals the collective effort by the major figures of the movement to find alternatives to liberalism and nationalism.