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Record Nr. |
UNINA9910779266003321 |
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Autore |
Bender John |
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Titolo |
Ends of Enlightenment [[electronic resource]] |
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Pubbl/distr/stampa |
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Palo Alto, : Stanford University Press, 2012 |
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ISBN |
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Descrizione fisica |
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1 online resource (311 p.) |
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Disciplina |
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Soggetti |
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Enlightenment - Influence |
Enlightenment -- Influence |
European fiction - 18th century - History and criticism |
European fiction -- 18th century -- History and criticism |
Literature - Philosophy |
Literature -- Philosophy |
Literature and science - Europe - History - 18th century |
Literature and science -- Europe -- History -- 18th century |
Realism in literature |
European fiction - History and criticism - 18th century - Europe |
Literature and science - History - 18th century |
Realism in literature - Philosophy |
Literature and morals |
Enlightenment |
Languages & Literatures |
Literature - General |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; Illustrations; Acknowledgments; I. Introduction; Ends of Enlightenment; II. Enlightenment Knowledge; 1. Novel Knowledge: Judgment, Experience, Experiment; 2. Enlightenment Fiction and the Scientific Hypothesis; 3. Matters of Fact: Virtual Witnessing and the Public in Hogarth's Narratives; 4. Hume's Learned and Conversible Worlds (with Robin Valenza); III. Enlightenment Novels; 5. The Novel as |
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Modern Myth: Robinson Crusoe, Frankenstein, Dracula; 6. Tom Jones and the Public; 7. Prison Reform and the Sentence of Narration in The Vicar of Wakefield |
8. Impersonal Violence: The Penetrating Gaze and the Field of Narration in Caleb WilliamsA Postscript on My Gross Anatomy Lab; 9. Rational Choice in Love: Les Liaisons dangereuses; IV. Enlightenment Frameworks; 10. Rhetoricality: On the Modernist Return of Rhetoric (with David E. Wellbery); Notes; Index |
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Sommario/riassunto |
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Ends of Enlightenment explores three realms of eighteenth-century European innovation that remain active in the twenty-first century: the realist novel, philosophical thought, and the physical sciences, especially human anatomy. The European Enlightenment was a state of being, a personal stance, and an orientation to the world. Ways of probing experience and knowledge in the novel and in the visual arts were interleaved with methods of experimentation in science and philosophy. This book's fresh perspective considers the novel as an art but also as a force in thinking. The critica |
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