| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA990003169930203316 |
|
|
Autore |
MINERVINI, Vincenzo |
|
|
Titolo |
La critica del testo medievale romanzo / Vincenzo Minervini |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNINA9910779100103321 |
|
|
Autore |
Baer William <1948-> |
|
|
Titolo |
Fourteen on form [[electronic resource] ] : conversations with poets / / William Baer |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Jackson, : University Press of Mississippi, c2004 |
|
|
|
|
|
|
|
ISBN |
|
1-283-43457-1 |
9786613434579 |
1-60473-622-4 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (276 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
American poetry - 20th century - History and criticism - Theory, etc |
English poetry - 20th century - History and criticism - Theory, etc |
Poets, American - 20th century |
Poets, English - 20th century |
English language - Versification |
Poetry - Authorship |
Literary form |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di contenuto |
|
Cover; Contents; Preface; RICHARD WILBUR; MAXINE KUMIN; DEREK WALCOTT; WILLIS BARNSTONE; ANTHONY HECHT; DONALD JUSTICE; DOUGLAS DUNN; ROBERT CONQUEST; JOHN FREDERICK NIMS; WENDY COPE; FREDERICK MORGAN; W. D. SNODGRASS; JOHN HOLLANDER; X. J. KENNEDY; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Poets include:Willis BarnstoneRobert ConquestWendy CopeDouglas DunnAnthony HechtJohn HollanderDonald JusticeX. J. KennedyMaxine KuminFrederick MorganJohn Frederick NimsW. D. SnodgrassDerek WalcottRichard Wilbur When free verse and its many movements seemed to dominate poetry, other writers worked steadfastly, insistently, and majestically in traditional forms of rhyme and meter. Such poets as Anthony Hecht, Donald Justice, Derek Walcott, and Richard Wilbur used sonnets, villanelles, blank verse, and many other forms to create dazzling, lasting work. Their writing posed a counterpoint to free v |
|
|
|
|
|
|
|
| |