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Record Nr. |
UNINA9910779053203321 |
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Autore |
Brodskai͡a N. V (Natalʹi͡a Valentinovna) |
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Titolo |
Symbolism [[electronic resource] /] / [Nathalia Brodskaïa] |
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Pubbl/distr/stampa |
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[New York], : Parkstone International, [2012] |
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ISBN |
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1-283-95216-5 |
1-78042-794-8 |
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Descrizione fisica |
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1 online resource (200 p.) |
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Collana |
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Art of century collection |
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Disciplina |
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Soggetti |
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Symbolism (Art movement) |
Painting, Modern - 19th century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents; Introduction: The Manifesto of Symbolism by Jean Moréas; SYMBOLISM; FIRST SCENE; SCENE II; Symbolism in Literature; Symbolist Poems; Charles Baudelaire, A Carcass; Charles Baudelaire, Correspondances; Charles Baudelaire, Spleen; René Ghil, In the Times of the Gods; Remy de Gourmont, Hieroglyphs; Joris-Karl Huysmans, Preliminary Sonnet; Alfred Jarry, Bards and Cords; Gustave Kahn, The Cup; Jules Laforgue, Complaint of the Pianos One Hears in Better Neighbourhoods; Maurice Maeterlinck, Foliage of the Heart; Stéphane Mallarmé, Afternoon of A Faun (extract) |
Robert de Montesquiou, Hymn to the Night Jean Moréas, Sensuality; Anna de Noailles, Death said to the Man...; Henri de Régnier, To Stéphane Mallarmé; Arthur Rimbaud, Vowels; Saint-Pol-Roux, The Purifying Rain; Paul Valéry, Hélène; Emile Verhaeren, The Rock (extract); Paul Verlaine, Poetic Art; Paul Verlaine, Languor; Symbolism in Art; Major Artists; Pierre Puvis de Chavannes (Lyon, 1824 - Paris, 1898); Arnold Böcklin (Basle, 1827 - Zurich, 1901); Gustave Moreau (Paris, 1828 - Paris, 1898); Dante Gabriel Rossetti (London, 1828 - Birchington-on-Sea, 1882) |
Edward Burne-Jones (Birmingham, 1833 - London, 1898)Odilon Redon (Bordeaux, 1840 - Paris, 1916); Eugène Carrière (Gournay-sur-Marne, 1849 - Paris, 1906); Mikhail Aleksandrovich Vrubel (Omsk, 1856 - St Petersburg, 1910); Fernand Khnopff (Grembergen-lez-Termonde, 1858 - Brussels, 1921); Jan Toorop (Purworedjo, 1858 - The Hague, 1928); |
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Edvard Munch (Løten, 1863 - Ekely, 1944); Franz von Stuck (Tettenweis, 1863 - Munich, 1928); Jens Ferdinand Willumsen (Copenhagen, 1863 - Le Canet, 1958); Maurice Denis (Granville, 1870 - Paris, 1943); Notes; Bibliography; Index |
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Sommario/riassunto |
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Symbolism appeared in France and Europe between the 1880's and the beginning of the 20th century. The Symbolists, fascinated with ancient mythology, attempted to escape the reign of rational thought imposed by science. They wished to transcend the world of the visible and the rational in order to attain the world of pure thought, constantly flirting with the limits of the unconscious.The French Gustave Moreau, Odilon Redon, the Belgians Fernand Khnopff and Félicien Rops, the English Edward Burne-Jones and Dante Gabriel Rossetti, and the Dutch Jan Toorop are the most representative artists of th |
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