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Record Nr. |
UNINA9910779005403321 |
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Autore |
McClelland Clive |
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Titolo |
Ombra [[electronic resource] ] : supernatural music in the eighteenth century / / Clive McClelland |
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Pubbl/distr/stampa |
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Lanham, Md., : Lexington Books, c2012 |
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ISBN |
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1-280-77008-2 |
9786613680853 |
0-7391-6974-2 |
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Descrizione fisica |
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1 online resource (258 p.) |
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Disciplina |
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Soggetti |
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Opera - 18th century |
Supernatural in opera |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Ombra; Contents; Introduction; Abbreviations; Chapter 1 Ombra Music in Context; Chapter 2 Tonality (Opera); Chapter 3 Harmony and Line (Opera); Chapter 4 Tempo and Rhythm (Opera); Chapter 5 Texture, Dynamics and Instrumentation (Opera); Chapter 6 Case Studies in Opera; Chapter 7 Ombra in Sacred Music; Chapter 8 Ombra in Instrumental Music; Chapter 9 Ombra after Mozart; Appendix A; Appendix B; Bibliography; Index; About the Author |
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Sommario/riassunto |
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Ombra is the musical language employed when a composer wishes to inspire awe and terror in an audience. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century explores the large repertoire of such music, focusing on the eighteenth century and Mozart in particular. He discusses a wide range of examples drawn from theatrical and sacred music, eventually drawing parallels between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music in an imp |
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