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1. |
Record Nr. |
UNINA9910778936503321 |
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Autore |
Jefferson Thomas <1743-1826.> |
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Titolo |
The papers of Thomas Jefferson . Volume 38 1 July to 12 November 1802 [[electronic resource] /] / Barbara B. Oberg, editor ... [et al.] |
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Pubbl/distr/stampa |
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Princeton, : Princeton University Press, 2011 |
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ISBN |
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1-283-45697-4 |
9786613456977 |
1-4008-4003-1 |
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Edizione |
[Course Book] |
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Descrizione fisica |
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1 online resource (818 p.) |
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Collana |
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Papers of Thomas Jefferson ; ; Volume 38 |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Presidents - United States |
United States Politics and government 1809-1817 Sources |
United States Politics and government 1817-1825 Sources |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Frontmatter -- FOREWORD -- ACKNOWLEDGMENTS -- EDITORIAL METHOD AND APPARATUS -- CONTENTS -- ILLUSTRATIONS -- Volume 38. 1 July to 12 November 1802 -- To William Bache, 1 July - From Henry Dearborn, 10 August -- From William Jarvis, 10 August - From George Jefferson, 15 September -- From James Madison, 15 September - From James Monroe, 12 November -- Appendix I -- Index |
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Sommario/riassunto |
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Volume 38 opens on 1 July 1802, when Jefferson is in Washington, and closes on 12 November, when he is again there. For the last week of July and all of August and September, he resides at Monticello. Frequent correspondence with his heads of department and two visits with Secretary of State James Madison, however, keep the president abreast of matters of state. Upon learning in August of the declaration of war by Mawlay Sulayman, the sultan of Morocco, much of the president's and the cabinet's attention is focused on that issue, as they struggle to balance American diplomatic efforts with reliance on the country's naval power in the Mediterranean. Jefferson terms the sultan's actions "palpably against reason." In September, he addresses the concerns of the mayor of New York City and the governor of South Carolina that free blacks expelled from Guadeloupe by the French will |
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be landed onto American shores. Although he believes the matter will be dealt with by the states, he also instructs Secretary of the Treasury Albert Gallatin to direct custom house officers to be watchful. In late August, Jefferson is alerted that he has been touched by the "breath of Slander," when James T. Callender's accusations appear in the Richmond Recorder and make public his relationship with Sally Hemings. The president offers no comment, and a month later returns to Washington, where he continues planning for an impending visit by his daughters.Some images inside the book are unavailable due to digital copyright restrictions. |
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2. |
Record Nr. |
UNINA9910160765603321 |
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Autore |
Lehmann Hauke <1981-> |
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Titolo |
Affektpoetiken des New Hollywood : Suspense, Paranoia und Melancholie / / Hauke Lehmann |
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Pubbl/distr/stampa |
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Berlin/Boston, : De Gruyter, 2016 |
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Berlin ; ; Boston : , : De Gruyter, , [2016] |
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©2017 |
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ISBN |
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9783110488739 |
3110488736 |
9783110488760 |
3110488760 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (383 pages) |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Affekt |
Film history/ in the USA |
Filmgeschichte/US-amerikanisch |
Zeitlichkeit |
affect |
temporality |
Melancholie |
Film |
Rezeption |
Zuschauer |
Spannung |
Gefühl |
Ästhetik |
Paranoia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Inhalt -- Danksagung -- 1. Die Aufspaltung des Zuschauers -- 2. Suspense: Formen filmischen Denkens -- 3. Paranoia: Formen der Mediatisierung -- 4. Melancholie: Formen des Geschichtsempfindens -- 5. Die Entstehung eines Stils: Zur Theorie und Poetik der Figur -- 6. Schluss -- Abbildungsverzeichnis -- Literaturverzeichnis -- Namenregister -- Filmregister -- Sachregister -- Farbabbildungen |
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Sommario/riassunto |
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Woran bindet sich die Emotion des Zuschauers im Kino? Und wie lässt sich eine Geschichte dieser Bindung schreiben? Mit Blick auf diese Fragen konzipiert die Arbeit von Hauke Lehmann die filmhistorische Periode des New Hollywood als einen Moment der Krise, der sich weder auf ökonomisch bedingte Anpassungsprozesse noch auf eine Ansammlung von Meisterwerken reduzieren lässt. Vielmehr gelangt in der detaillierten Analyse repräsentativer Filme die Kraft filmischer Bilder in den Blick, ihre Zuschauer zu affizieren: sie mit dem Neuen zu konfrontieren. Die Filme des New Hollywood vermessen das Feld der alten poetischen Einteilungen - wie es sich im klassischen Genresystem manifestiert - radikal neu und verändern dadurch die Art und Weise, wie die Zuschauer im Kino emotional adressiert werden. Die Arbeit beschreibt ein komplexes Zusammenspiel dreier filmischer Modi von Affektivität - Suspense, Paranoia und Melancholie - welche die Zuschauer auf je besondere Weise in die Widersprüche ihrer emotionalen Weltbezüge verwickeln. Auf dieser theoretischen Grundlage entwirft die Arbeit das Projekt einer Neukonzeption von Filmgeschichte: als eine Geschichte des Fühlens, die sich bis in die Gegenwart neu schreiben lässt. |
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