| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910461532803321 |
|
|
Autore |
Jung C. G (Carl Gustav), <1875-1961.> |
|
|
Titolo |
Children's dreams [[electronic resource] ] : notes from the seminar given in 1936-1940 / / by C.G. Jung ; edited by Lorenz Jung and Maria Meyer-Grass ; translated by Ernst Falzeder with the collaboration of Tony Woolfson |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Princeton ; ; Oxford, : Princeton University Press, 2008 |
|
|
|
|
|
|
|
ISBN |
|
1-283-40602-0 |
9786613406026 |
1-4008-4308-1 |
|
|
|
|
|
|
|
|
Edizione |
[Course Book] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (523 p.) |
|
|
|
|
|
|
Collana |
|
Philemon Foundation Series ; ; 7 |
|
|
|
|
|
|
Altri autori (Persone) |
|
JungLorenz |
Meyer-GrassMaria |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Children's dreams |
Children's dreams - Case studies |
Dreams |
Archetype (Psychology) |
Psychoanalysis |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
First published under the title Seminare: Kinderträume: Switzerland, Walter-Verlag, 1987. |
|
|
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and indexes. |
|
|
|
|
|
|
Nota di contenuto |
|
Front matter -- Contents -- NOTE TO THE ENGLISH EDITION / Shamdasani, Sonu -- ACKNOWLEDGMENTS -- PREFACE -- INTRODUCTION BY THE EDITORS -- 1. On the Method of Dream Interpretation -- 2. Seminar on Children' s Dreams (Winter Term 1936/37) -- 3. Psychological Interpretation of Children's Dreams (Winter Term, 1938/39) -- 4. Psychological Interpretation of Children's Dreams (Winter Term, 1939/40) -- 5. Seminar on Children's Dreams (Winter Term, 1940/41) -- Appendix: Dream Series of a Boy -- Bibliography -- Index -- Back matter |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
In the 1930's C. G. Jung embarked upon a bold investigation into childhood dreams as remembered by adults to better understand their significance to the lives of the dreamers. Jung presented his findings in |
|
|
|
|
|
|
|
|
|
|
a four-year seminar series at the Swiss Federal Institute of Technology in Zurich. Children's Dreams marks their first publication in English, and fills a critical gap in Jung's collected works. Here we witness Jung the clinician more vividly than ever before--and he is witty, impatient, sometimes authoritarian, always wise and intellectually daring, but also a teacher who, though brilliant, could be vulnerable, uncertain, and humbled by life's great mysteries. These seminars represent the most penetrating account of Jung's insights into children's dreams and the psychology of childhood. At the same time they offer the best example of group supervision by Jung, presenting his most detailed and thorough exposition of Jungian dream analysis and providing a picture of how he taught others to interpret dreams. Presented here in an inspired English translation commissioned by the Philemon Foundation, these seminars reveal Jung as an impassioned educator in dialogue with his students and developing the practice of analytical psychology. An invaluable document of perhaps the most important psychologist of the twentieth century at work, this splendid volume is the fullest representation of Jung's views on the interpretation of children's dreams, and signals a new wave in the publication of Jung's collected works as well as a renaissance in contemporary Jung studies. |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910778924603321 |
|
|
Autore |
Brodskai͡a N. V (Natalʹi͡a Valentinovna) |
|
|
Titolo |
L'Art naïf [[electronic resource] /] / Nathalia Brodskaïa |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York, : Parkstone International, [2012?] |
|
|
|
|
|
|
|
ISBN |
|
1-283-95195-9 |
1-78042-763-8 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (200 p.) |
|
|
|
|
|
|
Collana |
|
Collection art of century |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Sommaire; I. Naissance de l'art naïf; Quand l'Art naïf est-il né ?; L'Art moderne en quête de nouveaux horizons; Un Evénement central : le banquet en l'honneur du Douanier Rousseau; II. Retour aux sources : des Primitifs à l'art moderne; L'Art « primitif » et l'art moderne : le cas Miró; De la Peinture médiévale aux naïfs : une approche identique ?; Les Sources de l'art naïf : de la tradition populaire à la photographie; Les Peintres naïfs et l'art populaire; Les Peintres naïfs et la photographie; III. Des Découvertes à l'Est; Le Cas Pirosmani; La Peinture naïve roumaine |
Conclusion : l'art naïf est-il vraiment naïf ?Les Incontournables; France Henri Rousseau, dit le Douanier Rousseau (Laval, 1844 - Paris, 1910); Louis Vivin (Hadol, 1861 - Paris, 1936); Jean Eve (Somain,1900 - Louveciennes,1968); Séraphine Louis, dite Séraphine de Senlis (Arsy, 1864 - Clermont, 1942); Dominique Peyronnet (1872 - 1943); André Bauchant (Château-Renault, 1873 - Montoire, 1958); René Martin Rimbert (1896 - 1991); Camille Bombois (Vénaray-lès-Laumes, 1883 - Paris, 1970); Aristide Caillaud (Moulins, 1902 - Jaunay-Clan, 1990) |
Espagne Joan Miró (Joan Miró i Ferra) (Barcelone,1893- Palma de Mallorca, 1983)Miguel Garcia Vivancos (Mazarrón, 1895 - Cordoue, 1972); Italie Orneore Metelli (Terni, 1872 - Terni, 1938); Guido Vedovato (Vicence, 1961 - ); Etats-Unis Edward Hicks (Langhorne, 1780 - Newtown, 1849); Morris Hirshfield (1872 - 1945); Anna Mary Robertson, dite Grandma Moses (Greenwich, 1860 - Hoosick Falls, 1961); Géorgie Niko Pirosmani (Pirosmanashvili) (Kakheti, 1862 - Tiflis (aujourd'hui Tbilissi), 1918); Pologne Nikifor Krylov (Krynica Wiés, 1895 |
|
|
|
|
|
|
|
|
|
|
|
- 1968) |
Croatie Ivan Generalic (Hlebine, 1914 - Koprivnica, 1992)Serbie Milan Rašic (Donje Stiplje, 1931 - ); Israël Shalom Moscovitz, dit Shalom de Safed (Safed, 1887 - 1980); Notes bibliographiques; Index |
|
|
|
|
|
|
Sommario/riassunto |
|
L'art naïf connaît ses premiers succès à la fin du XIXe siècle. Des « peintres du dimanche » développent avec spontanéité et simplicité une forme d'expression qui, jusqu'alors, avait peu intéressé les artistes et les critiques d'art. Influencée par les arts primitifs, la peinture naïve se distingue par la précision de ses traits, la vivacité et la gaieté de ses couleurs, ainsi que ses formes brutes, souvent élémentaires.L'art naïf est représenté par des artistes tels qu'Henri Rousseau, Séraphine de Senlis, André Bauchant et Camille Bombois. Ce mouvement s'est également développé à l'étranger, |
|
|
|
|
|
|
|
| |