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Record Nr. |
UNINA9910778921103321 |
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Titolo |
Pinocchio, puppets and modernity : the mechanical body / / edited by Katia Pizzi |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2012 |
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ISBN |
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1-136-62049-4 |
1-283-46208-7 |
9786613462084 |
1-136-62050-8 |
0-203-67978-4 |
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Descrizione fisica |
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1 online resource (247 p.) |
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Collana |
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Children's literature and culture |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Civilization, Modern, in literature |
Literature and technology - History - 19th century |
Literature and technology - History - 20th century |
Mechanization in literature |
Pinocchio (Fictitious character) |
Puppets in literature |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover; Pinocchio, puppets and modernity : the mechanical body; Copyright; Contents; List of Figures; Series Editor's Foreword; Acknowledgements; Bibliographical Note; Note on Translations; Introduction; Chapter 1 : Carlo Collodi and the Rhythmical Body: Between Giuseppe Mazzini and George Sand; Chapter 2 : Puppets on a String: The Unnatural History of Human Reproduction; Chapter 3 : Workshops of Creation, Filthy and Not: Collodi's Pinocchio and Shelley's Frankenstein; Chapter 4 : The Manufacture of a Modern Puppet Type: The Anatomy of Alfred Jarry's Monsieur Ubu and its Signifi cance |
Chapter 5 Man is Non-Man: Mannequins, Puppets and Marionettes in the Theatre of Dario FoChapter 6 : Unpainting Collodi's Fireplace; Chapter 7 : Pinocchio and the Mechanical Body: Luciano Folgore's Papers at the Getty Research Institute Library; Chapter 8 : The Myth of Pinocchio: Metamorphosis of a Puppet from Collodi's Pages to the |
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Screen; Chapter 9 : The Watchful Mirror: Pinocchio's Adventures Re-created by Roberto Benigni; Chapter 10 : Beyond the Mechanical Body: Digital Pinocchio; List of Contributors; Index |
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Sommario/riassunto |
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This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassess |
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