1.

Record Nr.

UNINA9910778920003321

Autore

Fender Stephen

Titolo

Nature, class, and New Deal literature : the country poor in the Great Depression / / Stephen Fender

Pubbl/distr/stampa

New York : , : Routledge, , 2012

ISBN

1-136-63227-1

1-283-44271-X

9786613442710

0-203-80322-1

1-136-63228-X

Descrizione fisica

1 online resource (234 p.)

Collana

Routledge transnational perspectives on American literature ; ; 17

Disciplina

810.9/0052

Soggetti

American literature - 20th century - History and criticism

Rural poor in literature

Depressions in literature

National characteristics, American, in literature

Literature and society - United States - History - 20th century

New Deal, 1933-1939, in motion pictures

Nature in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references (p. [211]-219) and index.

Nota di contenuto

Introduction: Pessimistic progressives -- Nature and apocalypse: Okies and the New Deal in California -- A tale of two camps -- Matter out of place -- Who stole the folk's music? -- The WPA and the Southern country poor: life histories or case studies? -- The Southern life histories: the class factor -- The Dust Bowl on film -- Nature and naturalism in Steinbeck's labor fiction -- Conclusion: Erosion and retrieval: poor white identity and the limits of literature.

Sommario/riassunto

Working through close rhetorical analysis of everything from fiction and journalism to documents and documentaries, this book looks at how popular memory favors the country Depression over the economic crisis in the nation's cities and factories. Over eighty years after it happened, the Depression still lives on in iconic images of country poor



whites - in the novels of John Steinbeck, the photographs of Dorothea Lange and Arthur Rothstein, the documentary films of Pare Lorenz and the thousands of share-croppers' life histories as taken down by the workers of the Federal Writers' Project. <