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Record Nr. |
UNINA9910778919103321 |
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Titolo |
The cultural study of music : a critical introduction / / edited by Martin Clayton, Trevor Herbert, Richard Middleton |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2012 |
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ISBN |
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1-136-51472-4 |
1-283-85116-4 |
1-136-51473-2 |
0-203-14945-9 |
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Edizione |
[2nd ed.] |
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Descrizione fisica |
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1 online resource (481 p.) |
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Altri autori (Persone) |
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ClaytonMartin |
HerbertTrevor |
MiddletonRichard |
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Disciplina |
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Soggetti |
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Music - Social aspects |
Musicology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover ; The Cultural Study of Music: A Critical Introduction; Copyright ; Contents ; Preface to the Second Edition ; Notes of Contributors ; Introduction: Music Studies and the Idea of Culture; Part 1: When? Musical Histories ; Chapter 1. Music and Biocultural Evolution ; Chapter 2. Music and Culture: Historiographies of Disjuncture, Ethnographies of Displacement ; Chapter 3. Historical Musicology: Is It Still Possible? ; Chapter 4. Social History and Music History ; Chapter 5. Musicology, Anthropology, History ; Part 2: Where? Locations of Music |
Chapter 6. Textual Analysis or Thick Description? Chapter 7. Comparing Music, Comparing Musicology ; Chapter 8. The Destiny of "Diaspora" in Ethnomusicology ; Chapter 9. Globalization and the Politics of World Music ; Chapter 10. Contesting Difference: A Critique of Africanist Ethnomusicology ; Chapter 11. What a Difference a Name Makes: Two Instances of African-American Popular Music ; Chapter 12. Music, Space, and Place: The Geography of Music ; Chapter 13. Music and Everyday Life ; Part 3: How? Processes, Practices, and Institutions of Music ; Chapter 14. Music, Culture, and Creativity |
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Chapter 15. Musical Autonomy Revisited Chapter 16. Music as Performance ; Chapter 17. The Cultural Study of Musical Instruments ; Chapter 18. Music Education, Cultural Capital, and Social Group Identity ; Chapter 19. Music Technology, or Technologies of Music? ; Chapter 20. Music and Material Culture ; Part 4: Whose? Social Forces and Musical Belongings ; Chapter 21. Music and Social Categories ; Chapter 22. Music and Mediation: Toward a New Sociology of Music ; Chapter 23. Music and the Social ; Chapter 24. Locating the People: Music and the Popular |
Chapter 25. Music and the Market: The Economics of Music in the Modern World Chapter 26. Music, Sound, and Religion ; Chapter 27. Music, Race, and the Fields of Public Culture ; Chapter 28. Music, Gender, and Sexuality ; Part 5: Who? Musical Subjectivities ; Chapter 29. What's Going On: Music, Psychology, and Ecological Theory ; Chapter 30. Musical Materials, Perception, and Listening ; Chapter 31. Music, Experience, and the Anthropology of Emotion ; Chapter 32. Towards a Political Aesthetics of Music ; Chapter 33. Music and the Subject: Three Takes |
Chapter 34. Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle Chapter 35. Subjectivity Unbound: Music, Language, Culture ; References ; Index |
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