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Record Nr. |
UNINA9910778581603321 |
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Autore |
Goldie Peter |
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Titolo |
Who's Afraid of Conceptual Art? [[electronic resource]] |
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Pubbl/distr/stampa |
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Hoboken, : Taylor and Francis, 2013 |
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ISBN |
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1-135-23487-6 |
1-282-37703-5 |
9786612377037 |
0-203-86604-5 |
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Descrizione fisica |
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1 online resource (161 p.) |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Aesthetics |
Art - Philosophy |
Art -- Philosophy |
Conceptual art |
Conceptual art - Philosophy |
Art |
Visual Arts - General |
Visual Arts |
Art, Architecture & Applied Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Book Cover; Title; Copyright; List if illustrations; Preface; One The Challenge of Conceptual Art; Two The Definition and the Thing; Three Appreciating Conceptual Art; Four Aesthetics and Beyond; Five What's Left Once Aesthetic Appreciation Has Gone?; Notes; Index |
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Sommario/riassunto |
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What is conceptual art? Is it really a kind of art in its own right? Is it clever - or too clever?Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why |
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