| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA990004272430403321 |
|
|
Titolo |
Colette, nouvelles approches critiques : actes du colloque de Sarrebruck, 22-23 juin 1984 / réunis et publiés par Bernard Bray |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Locazione |
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNINA9910777882803321 |
|
|
Autore |
Caplan Jay |
|
|
Titolo |
Framed narratives : Diderot's genealogy of the beholder / / Jay Caplan ; afterword by Jochen Schulte-Sasse |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Minneapolis : , : University of Minnesota Press, , 1985 |
|
©1985 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (134 pages) : illustrations |
|
|
|
|
|
|
Collana |
|
Theory and history of literature ; ; v. 19 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Reader-response criticism |
Narration (Rhetoric) |
Rhetoric |
Dialogue |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliography (p. 119-128) and index. |
|
|
|
|
|
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Introduction; Chapter One: The Aesthetics of Sacrifice; Chapter Two: Genealogy of the Beholder; Chapter Three: Moving Pictures (La Religieuse-I); Chapter Four: Misfits (La Religieuse-II); Chapter Five: A Novel World (Bougainville as Supplement); Chapter Six: Conclusions; Afterword; Notes; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Framed Narratives was first published in 1985. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The work of French philosophe Denis Diderot (1713-1784) has inspired conflicting reactions in those who encounter him. Diderot has been admired and despised; he has moved his readers and irritated them - often at the same time. His work continually shifts between mutually exclusive positions - neither of which provides an entirely satisfactory answer to the qu |
|
|
|
|
|
|
|
| |