1.

Record Nr.

UNINA9910777830103321

Autore

Gordon Lois G

Titolo

Reading Godot [[electronic resource] /] / Lois Gordon

Pubbl/distr/stampa

New Haven, Conn., : Yale University Press, c2002

ISBN

1-281-73112-9

9786611731120

0-300-13202-6

Descrizione fisica

1 online resource (1 online resource ([ix], 214 p.) ) : ill

Disciplina

842/.914

Soggetti

LITERARY CRITICISM / Drama

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. 199-207) and index.

Nota di contenuto

Front matter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- ONE. The First Forty Years, 1906-46: Origins of a Vision and Form -- TWO. Waiting for Godot: The Existential Dimension -- THREE. The Dream as a Manifestation of Unconscious Language and Emotion: The Conglomerative Effect -- FOUR. The Conglomerative Voice: Cain and Abel -- FIVE. The Language of Dreams: The Anatomy of the Conglomerative Effect -- SIX. ''The key word . . . is 'perhaps' '' -- SEVEN. Staging the Conglomerative Effect -- EIGHT. Crystallization of a Vision and Form -- NOTES -- SELECTED BIBLIOGRAPHY -- INDEX

Sommario/riassunto

Waiting for Godot has been acclaimed as the greatest play of the twentieth century. It is also the most elusive: two lifelong friends sing, dance, laugh, weep, and question their fate on a road that descends from and goes nowhere. Throughout, they repeat their intention "Let's go," but this is inevitably followed by the direction "(They do not move.)." This is Beckett's poetic construct of the human condition. Lois Gordon, author of The World of Samuel Beckett, has written a fascinating and illuminating introduction to Beckett's great work for general readers, students, and specialists. Critically sophisticated and historically informed, it approaches the play scene by scene, exploring the text linguistically, philosophically, critically, and biographically. Gordon argues that the play portrays more than the rational mind's search for self and worldly definition. It also dramatizes Beckett's



insights into human nature, into the emotional life that frequently invades rationality and liberates, victimizes, or paralyzes the individual. Gordon shows that Beckett portrays humanity in conflict with mysterious forces both within and outside the self, that he is an artist of the psychic distress born of relativism.