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Record Nr. |
UNINA9910777804903321 |
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Autore |
Wald Elijah |
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Titolo |
How the Beatles destroyed rock 'n' roll [[electronic resource] ] : an alternative history of American popular music / / Elijah Wald |
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Pubbl/distr/stampa |
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Oxford ; ; New York, : Oxford University Press, 2009 |
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ISBN |
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0-19-975356-3 |
1-282-12530-3 |
9786612125300 |
0-19-971213-1 |
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Descrizione fisica |
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1 online resource (338 p.) |
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Disciplina |
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781.63 |
781.640973 |
781.660973 |
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Soggetti |
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Popular music - United States - History and criticism |
Music - United States - History and criticism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [281]-289) and index. |
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Nota di contenuto |
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Cover; Contents; Acknowledgments; Introduction; 1 Amateurs and Executants; 2 The Ragtime Life; 3 Everybody's Doin' It; 4 Alexander's Got a Jazz Band Now; 5 Cake Eaters and Hooch Drinkers; 6 The King of Jazz; 7 The Record, the Song, and the Radio; 8 Sons of Whiteman; 9 Swing That Music; 10 Technology and Its Discontents; 11 Walking Floors and Jumpin' Jive; 12 Selling the American Ballad; 13 Rock the Joint; 14 Big Records for Adults; 15 Teen Idyll; 16 Twisting Girls Change the World; 17 Say You Want a Revolution . . .; EPILOGUE: The Rock Blot and the Disco Diagram; Notes; Bibliography; Index; A |
BC; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z |
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Sommario/riassunto |
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""There are no definitive histories,"" writes Elijah Wald, in this provocative reassessment of American popular music, ""because the past keeps looking different as the present changes."" Earlier musical styles sound different to us today because we hear them through the musical filter of other styles that came after them, all the way through funk and hiphop. As its blasphemous title suggests, How the Beatles Destroyed Rock 'n' Roll rejects the conventional pieties of mainstream |
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