1.

Record Nr.

UNINA9910777781603321

Autore

Harlan Elizabeth

Titolo

George Sand / / Elizabeth Harlan

Pubbl/distr/stampa

New Haven, CT : , : Yale University Press, , [2008]

©2008

ISBN

1-281-73070-X

0-300-13056-2

Descrizione fisica

1 online resource (1 online resource (xx, 376 p.) ) : ill., ports

Disciplina

843.8

Soggetti

Novelists, French - 19th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Bibliographic Level Mode of Issuance: Monograph

Nota di bibliografia

Includes bibliographical references (p. 353-359) and index.

Nota di contenuto

Frontmatter -- Contents -- Introduction -- 1. Her Father's Daughter -- 2. The Importance of Being Marie-Aurore de Saxe -- 3. Sophie Victorious -- 4. Spanish Sojourn -- 5. Sophie's Choice -- 6. Enigma of the Sphinx -- 7. Convent and Conversion -- 8. Coming of Age -- 9. Pater Semper Incertus Est -- 10. Marriage and Motherhood -- 11. Passion in the Pyrenees -- 12. Ready, Set, Go -- 13. "Our Motto Is Freedom" -- 14. George Sand Is Born -- 15. A Daughter Is Born -- 16. The Author and the Actress -- 17. Sons and Lovers -- 18. Mother Love -- 19. Liaison Dangereuse -- 20. Broken Bonds: Solange and Chopin -- 21. Collateral Damage and Lucrézia Floriani -- 22. Revolution and Reverberations -- 23. Coming to Writing -- 24. Confession of a Young Girl -- 25. The Art of Loving -- Epilogue -- Notes -- Select Bibliography -- Acknowledgments -- Index

Sommario/riassunto

George Sand was the most famous-and most scandalous-woman in nineteenth-century France. As a writer, she was enormously prolific-she wrote more than ninety novels, thirty-five plays, and thousands of pages of autobiography. She inspired writers as diverse as Flaubert and Proust but is often remembered for her love affairs with such figures as Musset and Chopin. Her affair with Chopin is the most notorious: their nine-year relationship ended in 1847 when Sand began to suspect that the composer had fallen in love with her daughter, Solange.Drawing on archival sources-much of it neglected by Sand's previous biographers-



Elizabeth Harlan examines the intertwined issues of maternity and identity that haunt Sand's writing and defined her life. Why was Sand's relationship with her daughter so fraught? Why was a woman so famous for her personal and literary audacity ultimately so conflicted about women's liberation? In an effort to solve the riddle of Sand's identity, Harlan examines a latticework of lives that include Solange, Sand's mother and grandmother, and Sand's own protagonists, whose stories amplify her own.