|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910777638103321 |
|
|
Titolo |
New media poetics : contexts, technotexts, and theories / / edited by Adalaide Morris and Thomas Swiss |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cambridge, Mass., : MIT Press, ©2006 |
|
|
|
|
|
|
|
ISBN |
|
0-262-31173-9 |
1-282-09836-5 |
9786612098369 |
0-262-28021-3 |
1-4294-7737-7 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (438 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Altri autori (Persone) |
|
MorrisAdalaide Kirby <1942-> |
SwissThomas <1952-> |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Computer poetry - History and criticism |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (p. [371]-402) and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Contents; Series Foreword; Acknowledgments; I - Contexts; 1 - New Media Poetics: As We May Think/How to Write ; 2 - The Bride Stripped Bare: Nude Media and the Dematerialization of Tony Curtis; 3 - Toward a Poetics for Circulars; 4 - Riding the Meridian; 5 - Electric Line: The Poetics of Digital Audio Editing; 6 - Kinetic Is as Kinetic Does: On the Institutionalization of Digital Poetry; II - Technotexts; 7 - Screening the Page/Paging the Screen: Digital Poetics and the Differential Text; 8 - Universe; 9 - The Time of Digital Poetry: From Object to Event; 10 - Io Sono At Swoons |
11 - Digital Gestures12 - 3 Proposals for Bottle Imps; 13 - Language Writing, Digital Poetics, and Transitional Materialities; 14 - Nomadic Poetry; III -Theories; 15 - Beyond Taxonomy: Digital Poetics Problem of Reading; 16 - Time Code Language: New Media Poeticsand Programmed Signification; 17 - Poetics in the Expanded Field: Textual, Visual, Digital . . .; Bibliography; Contributors; Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
The first collection of writings on poetry that is composed, disseminated, and read on computers; essays and artist statements explore visually arresting, aurally charged, and dynamic works that are |
|
|
|
|