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1. |
Record Nr. |
UNINA990000006320403321 |
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Autore |
Cuppini, Umberto |
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Titolo |
Trattato generale sulle pitture e vernici naturali e sintetiche / Umberto Cuppini |
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Pubbl/distr/stampa |
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Edizione |
[2. ed. riveduta e largamente ampliata.] |
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Descrizione fisica |
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XII, 407 p. : ill. ; 25 cm |
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Disciplina |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNIBAS000044491 |
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Autore |
Amico, Antonio |
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Titolo |
Fitostoria descrittiva della provincia di Bari / Antonio Amico |
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Pubbl/distr/stampa |
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Firenze : Istituto botanico, 1955 |
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Descrizione fisica |
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Collana |
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Pubblicazione / Centro per lo studio della flora e della vegetazione italiana del Consiglio nazionale delle ricerche ; 76 |
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Disciplina |
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Soggetti |
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Fitogeografia |
Ecologia vegetale |
Flora - Italia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Estratto da: Atti e Relazioni dell'Accademia Pugliese delle Scienze, vol. XII |
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3. |
Record Nr. |
UNINA9910774781503321 |
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Autore |
Tait Peta <1953-> |
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Titolo |
Forms of emotion : human to nonhuman in drama, theatre and contemporary performance / / Peta Tait |
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Pubbl/distr/stampa |
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London, England ; ; New York, New York : , : Routledge, , [2022] |
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©2022 |
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ISBN |
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1-00-312483-6 |
1-000-46436-9 |
1-003-12483-6 |
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Descrizione fisica |
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1 online resource (266 pages) |
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Collana |
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Routledge Advances in Theatre and Performance Studies |
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Disciplina |
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Soggetti |
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Performing arts - Psychological aspects |
Emotions - Psychological aspects |
Animal psychology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of figures -- Acknowledgements -- Introduction -- Chapter summaries -- Framing the emotions, emotional feeling, mood and affect -- Performing is not feeling that emotion -- 1. Affect theory and performance intention -- Distinctions in performance -- Feeling divided -- Affect currents -- Contested intentions -- Live - in theory -- Impersonal affect and personal feeling -- Presence and transmission -- Resistance -- Formless affect and aesthetic form -- 2. Judging pity, fear and humanness -- Pity and fear in action -- Fear of shame -- Opposition shocks -- Wonder and catharsis -- Mimetic natures -- Towards compassion -- Fear and animalness -- 3. Appraising emotional feeling -- Talk of feeling -- Navigating obstruction -- Substitute passions -- Appraisal of emotional feeling -- Ugly metaphor -- Inexplicable feeling -- Cruel structures of colonized feeling -- 4. Performing moods, tears and bodily phenomena -- Theatrical exchange -- Modernist convergence -- Acting an inner self -- Imagined spaces of longing and happiness -- Doing bodily affect -- Performing freedom -- Unifying aesthetic moods -- 5. Political belief |
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and social cognition of emotions -- Contesting courage -- Acting science and the brain-body -- Trauma's affect -- Unifying empathy -- Theatre's emotional economy -- Emotional feeling as belief -- 6. En/Acting diverse emotional freedoms -- Rule-breaking paradox -- Love's force fields -- Human right to emotional feeling -- Politics of fear -- Rage against postemotional denial -- Theatrical freedoms -- 7. Animals and anthropocentric emotionalism -- Comic surrogates -- Tragic symbols -- Sensory body insensitivity -- Performing emotional connections -- 8. Enveloping the nonhuman: Contemporary indigenous performance -- Collaborating traditions. |
Continuities in storytelling -- Bodily perceiving movement -- Unity in Bangarra's Dark Emu -- Enveloping affect and emotional movement -- Feeling knowledge and nonhuman time -- 9. Prosodies of affect and emotional climates -- Walking, trusting -- Weather worlds -- Motivating -- Breathing -- Sharing -- Conclusion: Emotional freedom in performance -- References -- Index. |
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