| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISOBSON0000727 |
|
|
Autore |
Brusatin, Manlio |
|
|
Titolo |
Arte dell'oblio / Manlio Brusatin |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
2. |
Record Nr. |
UNINA9910772092503321 |
|
|
Titolo |
Performing cultures of equality / / edited by Emilia María Durán-Almarza, Carla Rodríguez González, Suzanne Clisby |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Abingdon, Oxon, England ; ; New York, New York : , : Routledge, , [2022] |
|
©2022 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-00-316275-4 |
1-003-16275-4 |
1-000-57506-3 |
1-000-57509-8 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (193 pages) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
|
|
|
|
|
Nota di contenuto |
|
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- Contributors -- Acknowledgements or |
|
|
|
|
|
|
|
|
|
|
Credits List -- 1. Performing Cultures of Equality: Embodiments, Visualities, Inscriptions -- PART I: Embodying (In)Equalities -- 2. Honey Pot Performance's Black Feminist Praxis: Embodiments of Collaboration and Collectivity -- 3. The Performance of Black Youth Masculinity in Bola Agbaje's and Mojisola Adebayo's Council-Estate Plays -- 4. Art's Political Potential and the Violence That the Art Does: On the Performative Operations of Krzysztof Wodiczko's Guests (2016) -- PART II: Visualizing (In)Equalities -- 5. Tinted Visions: Performing Equalities through Festive Decorations in LGBT-Themed Events in Hull (UK City of Culture 2017) -- 6. Social Media Reverberations of Feminist Assemblies: Reflections after Non una di meno's Verona transfemminista Rally -- 7. Gender-Based Violence and the Performance of Masculinity: A Comparative Analysis of the Documentary Films Ma l'amore c'entra and Serás hombre -- PART III: Inscribing (In)Equalities -- 8. Strangers, Persisters, and Killjoys: Confronting Gender Inequality through Performance Poetry -- 9. Imperialism's Performative Technologies: Race, Gender, and Wearable Devices in Aliette De Bodard's 'Immersion' -- 10. Figures of a Gender Now upon Us: The Transfeminine in Contemporary Queer Fiction from the Philippines -- Index. |
|
|
|
|
|
| |