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1. |
Record Nr. |
UNIBAS000034387 |
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Autore |
Zancan, Antonietta |
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Titolo |
L'aspetto storico nella didattica della musica : verifica sperimentale di un percorso nella scuola media / Antonietta Zancan |
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Pubbl/distr/stampa |
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ISBN |
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Descrizione fisica |
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XIV, 190 p. : ill. ; 21 cm |
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Collana |
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Disciplina |
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Soggetti |
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Scuole medie inferiori. Educazione musicale. Italia |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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In testa al frontespizio: De Sono, associazione per la musica |
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2. |
Record Nr. |
UNISA996309065503316 |
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Titolo |
Digital Classical Philology : Ancient Greek and Latin in the Digital Revolution / / Monica Berti |
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Pubbl/distr/stampa |
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Berlin ; ; Boston : , : De Gruyter Saur, , [2019] |
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©2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (xiii, 349 pages) : illustrations (some colour) |
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Collana |
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Age of Access? Grundfragen der Informationsgesellschaft ; ; 10 |
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Soggetti |
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Digital Humanities |
Digital Philology |
Digitale Philologie |
Greek |
Griechisch |
Latein |
Latin |
HISTORY / Ancient / General |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Editor's Preface -- Preface -- Contents -- Introduction -- The Free First Thousand Years of Greek -- The Digital Latin Library: Cataloging and Publishing Critical Editions of Latin Texts -- Sustaining Linked Ancient World Data -- The Perseus Catalog: of FRBR, Finding Aids, Linked Data, and Open Greek and Latin -- The CITE Architecture: a Conceptual and Practical Overview -- The Canonical Text Services in Classics and Beyond -- Optical Character Recognition for Classical Philology -- Character Encoding of Classical Languages -- Building a Text Analysis Pipeline for Classical Languages -- Intertextuality as Viral Phrases: Roses and Lilies -- Digital Classical Philology and the Critical Apparatus -- eComparatio - a Software Tool for Automatic Text Comparison -- The Homer Multitext within the History of Access to Homeric Epic -- Historical Fragmentary Texts in the Digital Age -- The Dependency Treebanks for Ancient Greek and Latin -- The Project of the Index Thomisticus Treebank -- Semantic Analysis and Thematic |
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Annotation -- Notes on Contributors -- Index |
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Sommario/riassunto |
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Thanks to the digital revolution, even a traditional discipline like philology has been enjoying a renaissance within academia and beyond. Decades of work have been producing groundbreaking results, raising new research questions and creating innovative educational resources. This book describes the rapidly developing state of the art of digital philology with a focus on Ancient Greek and Latin, the classical languages of Western culture. Contributions cover a wide range of topics about the accessibility and analysis of Greek and Latin sources. The discussion is organized in five sections concerning open data of Greek and Latin texts; catalogs and citations of authors and works; data entry, collection and analysis for classical philology; critical editions and annotations of sources; and finally linguistic annotations and lexical databases. As a whole, the volume provides a comprehensive outline of an emergent research field for a new generation of scholars and students, explaining what is reachable and analyzable that was not before in terms of technology and accessibility. |
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3. |
Record Nr. |
UNINA9910765716903321 |
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Titolo |
The Power of the In-Between |
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Pubbl/distr/stampa |
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Stockholm, : Stockholm University Press, 2018 |
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ISBN |
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Descrizione fisica |
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Collana |
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Stockholm Studies in Culture and Aesthetics ; ; Volume 5 |
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Disciplina |
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Soggetti |
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The arts |
The arts: general issues |
Interdisciplinary studies |
Humanities |
Media studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Sommario/riassunto |
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"The Power of the In-Between: Intermediality as a Tool for Aesthetic Analysis and Critical Reflection gathers fourteen individual case studies where intermedial issues—issues concerning that which takes place in between media—are explored in relation to a range of different cultural objects and contexts, different methodological approaches, and different disciplinary perspectives. The cases investigate the intermediality of such manifold objects and phenomena as contemporary installation art, twentieth-century geography books, renaissance sculpture, media theory, and public architecture of the 1970s. They also bring together scholars from the disciplines of art history, comparative literature, theatre studies, musicology, and the history of ideas.
Starting out from an inclusive understanding of intermediality as “relations between media conventionally perceived as different,” each author specifies and investigates “intermediality” in their own particular case; that is, each examines how it is inflected by particular objects, methods, and research questions. “Intermediality” thus serves both as a concept employed to cover an inclusive range of cultural objects, cultural contexts, methodological approaches, and so on, and as a concept to be modelled out by the particular cases it is brought to bear on. Rather than merely applying a predefined concept, the objectives are experimental. The authors explore the concept of intermediality as a malleable tool of research.
This volume further makes a point of transgressing the divide between media history and semiotically and/or aesthetically oriented intermedial studies. The former concerns the specificity of media technologies and media interrelations in socially, politically, and epistemologically defined space and time, and the latter targets formal considerations of media objects and its various meaning-making elements. These two conventionally separated fields of research are integrated in order to produce a richer understanding of the analytical and historical, as well as the aesthetic and technological, conditions and possibilities of intermedial phenomena.
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