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Record Nr. |
UNINA9910753386503321 |
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Autore |
Jao Tsung-I |
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Titolo |
Treasured Oases |
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Pubbl/distr/stampa |
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Boston : , : BRILL, , 2022 |
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©2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (266 pages) |
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Collana |
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Collected Works of Jao Tsung-I Series ; ; v.2 |
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Altri autori (Persone) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- Contents -- Collected Works of Jao Tsung-i: Xuantang Anthology - Series Introduction -- Translator's Preface -- Acknowledgements -- Illustrations -- Abbreviations -- Conventions -- Part 1 Jao and Dunhuang Studies -- "Next Time Round, I Wish to Lead a Sutra Scribe's Life": Jao Tsung-i and Dunhuang Studies 他生 作寫經生: 宗 教授 敦煌學研究 -- Dunhuang Studies and Me 我和敦煌學 -- Part 2 Dunhuang as Inspiration and Source -- Turfan-the Bodhisattva Whose Head Came Off 吐 番-丟了 的 -- Preface to The Xiang'er Laozi, Annotated, Collated and Substantiated 子想爾注校 · 序 -- On the Northwest School of Chinese Landscape Painting 中國 北宗山水畫 -- Part 3 Medieval Multimedia -- On the Relationship between Bianwen 文 and Illustration, from the Perspective of the Shanbian 睒 (Śyāma Transformation) 從「睒 」 文 圖繪之 係 -- Postface to the Two Dunhuang Manuscript Fragments of the Baize jingguai tu 白澤精怪圖 (White Marsh's Diagrams of Spectral Prodigies -- P.2682, S.6261) 敦煌本《白澤精怪圖》兩殘卷 (P.2682, S.6261) -- Part 4 Dunhuang Poetry -- Did Men of Song Belt Out "Tang Ci"? An Explanation of the Poem "I Only Fear the Spring Breeze Will Chop Me Apart" 「唐 是宋人喊出來」的嗎 「只怕春 斬斷我」 -- Notes on the Yunyao ji (Cloud Ballad Collection) Manuscripts P.2838 and S.1441 -- Another Look at the Dunhuang Manuscript of "Deng lou fu" 登樓 (Rhapsody on Climbing the Tower) 敦煌寫本登樓 研 -- Part 5 Reorienting Dunhuang Studies -- Dunhuang Research Should Be Broader in Its Scope 敦煌應擴大研究範圍 -- Works Cited -- Index. |
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Sommario/riassunto |
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"Dunhuang: China's traditional northwest frontier and overland conduit of exchange with the Old World. Jao Tsung-i: China's last great traditional man of letters, polymath, and pioneer of comparative humanistic inquiry during Hong Kong's global heyday. Jao and Dunhuang had a special relationship that this book makes accessible in English for the first time. Inside, Jao proposes an entirely new school of Chinese landscape painting, reconsiders Dunhuang's oldest manuscripts as its newest research field, and explores topics ranging from comparative religion to medieval multimedia"-- |
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